A Quote by Lucy Maud Montgomery

Nobody with any real sense of humor *can* write a love story. . . . Shakespeare is the exception that proves the rule. (90-91) — © Lucy Maud Montgomery
Nobody with any real sense of humor *can* write a love story. . . . Shakespeare is the exception that proves the rule. (90-91)
The exception is more interesting than the rule. The rule proves nothing; the exception proves everything. In the exception the power of real life breaks through the crust of a mechanism that has become torpid by repetition.
There is no exception to this rule: "All the paths of the LORD are mercy and truth unto such as keep his covenant." They say there is no rule without an exception, but there is an exception to that rule.
Anarchy would be a world that nobody felt responsible for, that nobody felt any sort of love for. When there's real intelligence happening, when there's real love happening, there's a sense of responsibility: Hey, we've got to take care of this place and each other.
God has a tremendous sense of humor! Religion remains something dead without a sense of humor as a foundation to it. God would not have been able to create the world if he had no sense of humor. God is not serious at all. Seriousness is a state of disease; humor is health. Love, laughter, life, they are aspects of the same energy.
Nobody in love has a sense of humor.
It's terrible to write what are essentially comedies for people with no sense of humor. Everyone thinks they have a sense of humor, but observably not.
I was wrong about [Jack] Keane. He is the exception that proves the rule. I was certainly right about the fact that he is a member of the warrior class.
The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.
I'll give you the sole secret of short-story writing, and here it is: Rule 1. Write stories that please yourself. There is no rule 2. The technical points you can get from Bliss Perry. If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.
It is the ability to take a joke, not make one, that proves you have a sense of humor.
In '88, '89, '90, '91... When I was making these albums, it would be four or five songs that didn't have any curse words, that were about social issues in the community.
If I write a fantastic story, I'm not writing something willful. On the contrary, I am writing something that stands for my feelings, or for my thoughts. So that, in a sense, a fantastic story is as real and perhaps more real than a mere circumstantial story. Because after all, circumstances come and go, and symbols remain.
The wealthy don't have any sense of humor. It's not like the English, where the theater is perhaps the one place where they have a sense of humor about themselves.
If a woman is successful, then she's deemed to be the exception that proves the rule. If a woman fails, well, we're all failures. That kind of underlying approach to our gender doesn't seem to me to have changed an iota.
America's popular heroes have seldom been its great thinkers, and even less its scientists. The success of TV's 'Big Bang Theory,' which seems to give the lie to this claim, is more the exception that proves the rule.
I love playing people who don't have a sense of humor for instance, there's nothing funnier to me than a person with no sense of humor.
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