A Quote by Lucinda Williams

I'd rather play a few nights at the Fillmore than play one night at an arena. — © Lucinda Williams
I'd rather play a few nights at the Fillmore than play one night at an arena.
I'd still prefer to do five nights at a club than one night at Allstate Arena.
Once we started headlining at the Fillmore East, we were free to play all night, at least for the second set. 'Whipping Post' could get lengthy.
I always say, you gotta play a dive bar like you play an arena, and you play an arena like you play a dive bar.
I'd rather play tennis than go to the dentist. I'd rather play soccer than go to the doctor. I'd rather play Hurk than go to work. Hurk? Hurk? What's Hurk? I don't know but it MUST be better than work!
I'd rather play with 10 people and just get penalized all the way until we have to do something else rather than play with 11 when I know that right now that person is not sold out to be a part of this team.
You hear a few people saying that, you know, maybe some of the past male players like to watch me play or whatever else, just because I play a bit differently and maybe they can relate to it a bit more with a bigger forehand rather than a backhand, good serve and whatnot.
The essence of Bonham is what he didn't play rather than what he did play - what he left out.
I'd rather play bad and win than play good and lose.
I'd rather be a kid and play with paper planes, than be a man and play with a woman's heart.
I would rather play Chiquita Banana and have my swimming pool than play Bach and starve.
I'm trying to be expressive on my instrument and conduct as I'm improvising. So I'm conducting with the melodies and the rhythms that I play. And so it's a very organic way. It's a lot like Charles Mingus played, cuing people in from what you play and how you play it rather than standing in front of a band, conducting and pointing.
I'd rather play in the major leagues and have some bad games than play consistently good ball in the minors.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
Watching first nights, though I've seen quite a few by now, is never any better. It's a nerve-racking experience. It's not a question of whether the play goes well or badly. It's not the audience reaction, it's my reaction. I'm rather hostile toward audiences?I don't much care for large bodies of people collected together. Everyone knows that audiences vary enormously; it's a mistake to care too much about them. The thing one should be concerned with is whether the performance has expressed what one set out to express in writing the play. It sometimes does.
I look a lot busier than I am, as I'm actually a rather sporadic, random person and I'll play a few gigs and then disappear for a while.
I'd rather have people dislike my style than change it. If someone says, 'Hey, Yngwie, you play too damn much,' I don't care. They way I play is the way I like to play. If people like it, great. If they don't, it's still fine with me.
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