A Quote by M. Ward

It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?' — © M. Ward
It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?'
It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?
So if we cover [Donald Trump] the same way, let's say "The Kelly File," we cover him the same way we cover Barack Obama, the same amount, the same skeptical eye, he's going to be fine with that.
I was in the middle of filming Season 3 of 'Grace and Frankie.' Then the writing process for 'Mystery Science Theater 3000' was happening at the exact same time. And then the pre-production for 'Fatherless' was happening at the exact same time as well.
Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
I think the biggest thing - and this I think is true of songs but also of movies and books and art in general - is when you have this moment where you hear a song or whatever and you say, "Hey, I've felt that exact way as a human being," and there's no easy way to describe it.
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
I don't mind him not talking so much, because you can hear his voice in your heart; the same way you can hear a song in your head even if there isn't a radio playing; the same way you can hear those blackbirds flying when they're not in the sky
It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.
The beauty of music is that everyone hears it their own way, and every song you hear leaves an impression on you that alters the way you hear everything from that point on.
I always do that at the end of shows, like a Q&A session. First of all it lets people know that this isn't some preprogrammed, press-play show where I have to say the exact same words in the exact same order. That's part of the thing with live comedy is that people like the fun aspect of it and I enjoy the taking questions part.
Usually when a song comes to me, I don't ask a lot of questions; I hear something, and I just let it out in song. It's like making a salad. Everything I hear, and everything I am, I mix together in a different way in each song.
When I hear somebody like Hayes Carll write a song that's touching and poignant and sad and funny all at the same time, it motivates me to step my game up and try to figure out a way to get more different emotions into one line or one song.
People always make fun of my eyebrows and think that I shape them this way! But if you see a picture of me from when I was two years old, I have the same exact eyebrow shape.
Regardless of what I do, whether I write a book or whether I act or whether I host, I'll always do stand-up comedy because those moments, that's what I crave. If I do something funny, and I hear a crowd laugh in that moment, we're all sharing the exact same experience and the exact same feeling.
Some people have said that I can 'hear' a hit song, meaning that I can tell the first time a song is played for me if it has potential. I have been able to hear some of the hits that way, but I can also 'feel' one.
A lot of guys come out, and they do the exact same thing, are in the exact same mood, and have the exact same entrance every night, I really just make up a lot of crap as I go along.
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