A Quote by Madlib

I grew up on Public Enemy, which had a message with great music behind it. — © Madlib
I grew up on Public Enemy, which had a message with great music behind it.
I grew up on misogynist, devil-worshipping heavy metal music, and then it was groups like The Clash and Public Enemy that reminded me that there were a different set of ideas that could be expressed with great music.
The music I grew up listening to had a message.
I'm singing the way that I love to sing, which is like old soul, like old Al Green. I grew up about an hour from Memphis. So all that music that I grew up with - the Stax music and early rhythm n' blues - I'm doing that. I'm actually getting out from behind my guitar and I'm singing.
I really love rap music. I grew up in the '80s and '90s with Public Enemy, N.W.A., LL Cool J - I'm a hip-hop encyclopedia. But I got kind of frustrated with the chauvinistic side of rap music, the one that makes it hard to write songs about love and relationships.
Christian music was music that I grew up listening to that I can't say has had much of an impact on anything I have done in my adult life. Maybe Christianity has, but certainly not the bullshit Christian music I was listening to when I was 12. To me there's not much substance in that music. I don't have a message or anything.
I grew up listening to pop; I grew up listening to '60s pop music, the Beatles, the Monkees, Herman's Hermits and all that stuff. So I had a very strong background of listening to great pop music.
We grew up listening to music like that: we grew up on the snap music, grew up off the trap music, grew up on all the South sound.
If Americans wish to preserve a country they will recognize, then the first step is to recognize the enemy. Public education is the enemy. The entertainment industry is the enemy. The corporate culture is the enemy. The advertising industry is the enemy. And most of the politicians in both parties are the enemy. An enemy is defined as anybody, or any organization, which is attacking the traditional beliefs of Americans.
Coming up, the music of my era was very conscious. I grew up on Public Enemy, and it was popular culture to be aware. People were wearing Malcolm X T-shirts and Malcolm X hats. It was a very cool thing to know who Malcolm X was. It was all in the lyrics. It was trendy to be conscious and aware.
Lauryn Hill, P-Funk, Marvin Gaye, Public Enemy - I have a very diverse palate for music. I can go from Judy Garland to Jimi Hendrix to Stevie Wonder to Rachmaninoff. I just love great music.
I grew up overseas in Indonesia, and my school had a great art, music, and theatre program.
I'm not going to do anything crazy, but I want to do music that I'm passionate about. I'm finally at an age where I can do the music that I grew up loving, which was urban pop, '90s music. I grew up listening to the divas, so I'm very happy to finally do urban pop. I hope that it's received well, and it has been so far.
I grew up sort of lower working class. And I just didn't want to have the money struggles that my parents had. You know, I could just - as loving an environment I grew up in - and I grew up in a great home, a very loving home - but, you know, we had that stress. We had that stress in our life.
I grew up listening to all kinds of music, everything from country to rock, pop, R&B and even rap, so for me, music is music and a great song is a great song.
Al Gore’s not going to be rounding up Jews and exterminating them. It is the same tactic, however. You got to have an enemy to fight. And when you have an enemy to fight, then you can unite the entire world behind you, and you seize power. That was Hitler’s plan. His enemy: the Jew. Al Gore’s enemy, the U.N.’s enemy: global warming.
What Public Enemy and Underground Resistance had in common was a rejection of the idea of music as entertainment.
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