A Quote by Madonna Ciccone

My physical transformations - like changing my hair - are usually a reflection of what's inspiring me at the moment. — © Madonna Ciccone
My physical transformations - like changing my hair - are usually a reflection of what's inspiring me at the moment.
I like getting my ideas from the things of now. I am very conscious of the moment, of images that belong to this moment instead of another period. Fashion is really a reflection of our lives. You see women today and they don't do their hair up; they all wear their hair undone. So you have to reflect that in your photography .
My hair has been this chapter thing for me. In 'Jem,' I have blue hair. 'Insidious,' it's pink. In 'CSI,' I have blonde. I love changing my hair. It's just hair and it grows all the time.
Since man does not create physical matter, those who handle material objects in the production process are not producers in that sense. Economic benefits result from the transformation of matter in form, location, or availability (intellectually or temporally). It is these transformations that create economic benefits valued by consumers, and whoever arranges such transformations contributes to the value of things, whether his hands actually come into contact with physical objects or not.
I'm a black woman who loves hair. I enjoy changing my hair, having fun with it - just hair! I go from braids, to weaves, to wigs, to natural hair.
The patterns of activity of neurons in sensory areas can be altered by patterns of attention. Experience coupled with attention leads to physical changes in the structure and future functioning of the nervous system. This leaves us with a clear physiological fact…moment by moment we choose and sculpt how our ever-changing minds will work. We choose who we will be in the next moment in a very real sense, and these choices are left embossed in physical form in our material selves.
It's a compulsion. I'm always changing parts of me. Even when I was young, I wanted to change my hair color. I was so determined that I dyed my hair with Kool-Aid.
I don't like to say, Oh, this is my favorite record because there was a moment that that record made me feel a certain way. The one on the radio at the present moment could be the one that's most inspiring, because it's at that second that you're aware of "the infinite everything."
What do we call the river? Every moment the water is changing, the shore is changing, every moment the environment is changing, what is the river then? It is the name of this series of changes.
When I was 16, I was watching '101 Dalmatians,' and my mom never let me bleach my hair, so I told her I was going to dye my hair like Cruella De Vil; she didn't believe me. I came home with my hair like this, and she didn't talk to me for, like, a week. It was really hilarious.
The Mediterranean has the color of mackerel, changeable I mean. You don't always know if it is green or violet, you can't even say it's blue, because the next moment the changing reflection has taken on a tint of rose or gray.
I don't know if it's just me getting older or if it's a reflection of times changing, but it just seems to me like among most of my friends and peers, there's a lot more time being spent at home than out.
In this rapidly changing media environment, business transformations need to be closely linked to communications strategies.
I won't tow the party line of doing 'girlie' yoga and cardio for physical transformations.
I might have been through some changes, but changing the way I look wasn't one of the major ones. To be honest. I'm sick of the whole subject of my hair. I mean, are you just sitting there looking at my hair, or are you looking at me?
I really like red hair. I think if you have brown hair, you want blond hair; if you have blond hair, you want blue hair. We always want what we don't have. It takes a while to admit, Hey, it's just part of me.
Transformations is the word. We can do the work of transformation only in the present moment
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