A Quote by Mads Mikkelsen

There is a tendency to underestimate the power of what we can do without words. Sometimes you can make a scene even more powerful and precise without dialogue. — © Mads Mikkelsen
There is a tendency to underestimate the power of what we can do without words. Sometimes you can make a scene even more powerful and precise without dialogue.
It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It's very subtle - it's actually without dialogue. I do think it's powerful even without words.
I think we underestimate the importance of kindness sometimes. We understand the power of just a little tiny bit of kindness. It could be the catalyst for something so important. Sometimes just a tiny little gesture or an acknowledgment can make all the difference in turning somebody's life around. I think it has a trickle down effect, when you pass on what you receive without even knowing it. We also underestimate our own power to make a difference with the decisions that we make, every day.
Muscles without strength, friendship without trust, opinion without risk, change without aesthetics, age without values, food without nourishment, power without fairness, facts without rigor, degrees without erudition, militarism without fortitude, progress without civilization, complication without depth, fluency without content; these are the sins to remember.
On the stage . . . masks are assumed with some regard to procedure; in everyday life, the participants act their parts without consideration either for suitability of scene or for the words spoken by the rest of the cast: the result is a general tendency for things to be brought to the level of farce even when the theme is serious enough.
Kundalini Yoga is the yoga of power. Without wisdom, a powerful person does not become more powerful. Their power will turn back on them and eventually destroy them. So those who are truly wise become most powerful.
Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.
Without the Holy Spirit, Christian discipleship would be inconceivable, even impossible. There can be no life without the life-giver, no understanding without the Spirit of truth, no fellowship without the unity of the Spirit, no Christlikeness of character apart from His fruit, and no effective witness without His power. As a body without breath is a corpse, so the church without the Spirit is dead.
Don't underestimate the power of the nonplussed look and the shake of the head. Letting noxious words hang in the air can be very powerful.
Whilst no people appears in history without the sign and palladium of a positive faith, without temple, altar, priesthood--that is to say, without a constituted religion--unbelief appears only under an individual form, sometimes proscribed, sometimes tolerated, seldom powerful, and never becoming established as the public and social expression of a nation.
Sometimes you will do a close-up for a scene in the morning where you are totally distraught, then shoot the rest of that scene seven hours later. How do you hang on to that feeling all day without burning up, without going so far that you have nothing left to give when the cameras roll again?
To use words and phrases in an easygoing manner without scrutinizing them too curiously is not in general a mark of ill-breeding. On the contrary, there is something low-bred in being too precise. But sometimes there is no help for it
Sometimes I use words to throw you from once scene to the other, and sometimes I use words to pull you from one scene to the other. You might not be aware of it, but I may have overlapping words one way or the other. So, I'm actually using words.
Sometimes power is all a person has, so they will protect it even unto their own destruction, for without power they have nothing.
Without precise meanings behind words, politicians and elites can obscure reality and condition people to reflexively associate certain words with positive or negative perceptions. In other words, unpleasant facts can be hidden behind purposely meaningless language.
One thing I've learned as an actor as well as a producer is to trust my own instinct. When I first started acting I would sometimes have ideas about certain things, whether it's a scene, or a character or certain dialogue, that wouldn't be followed. I was never in a position to have the power to press the matter. Sometimes it wasn't even about my character. But I'd watch the movie afterwards and think I was right.
It's almost better most times to not talk in a scene. I think you can actually express a lot more without words.
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