A Quote by Mads Mikkelsen
If people need to be informed by lines, then there's no reason why the actor is saying the line except for information for the audience; I think there's something wrong.
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As an actor, early on, you learn that the audience is never wrong. And if you think they are wrong, you need to find a different way to make a living. Collectively the audience is smarter than you will ever, ever be.
People standing up and saying, 'This isn't right,' is certainly a quality I admire in specific circumstances. There are people who do that and have a different set of politics, and then I don't necessarily agree with what they're doing and why they're doing it. But the act in and of itself of saying something is wrong and standing up for what they think is right is something I generally admire.
I would never call myself anti-football. I think I'm pro-information, pro-people making informed individual choices, pro-health, so for that reason, personally, I'm apathetic towards football. But at the same time, I think we can retain some civility, and I understand why people support and love it.
I think there's a very fine line on guys saying stuff because you don't want to be disrespectful. That's not the point of it. But you also do need to - there's nothing wrong with saying what's on your mind.
My parents thought, 'Oh, my God! What's wrong with him? He's possessed or something.' All of a sudden, I stood up and started saying my lines. From then on, that was it. I knew there was something special about the theater for me, something beyond the regular reality, something that I could get into and transcend and become something other than myself.
I think people are drawn to characters that break the rules. I think there is something about a good person doing bad things for what they consider to be a good reason. Then the battle is on to almost prove to the audience that it's justified. How far can you go with that? How far can that character go before people won't accept it? Trying to walk to edge of that line is a challenge.
Actors need to know why they're saying what they're saying, more than just learning their lines.
I think that you can say something in one line with a look that you might need three lines on a page for normally.
If the majority of people said I did something wrong, then I must be wrong, and I will think 'I didn't even mean it like that, why are you treating me like this?' But if a lot of people say that I'm wrong and it's not good, then it must be not good. I will say, 'Okay' and then tell myself that this cannot happen again. I have to grasp it and change it for the better.
Why call me inferior to another person just because of the platform we come from. I think the audience need to reflect on that aspect. If I work on TV, and on web as well, and even in films then why just call me a TV actor?
The American people should be informed about what kind of capability terrorists have inside the United States. They should be informed of why we are not using information to do a more effective job of dealing with terrorists.
One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room.
I think there is something about a good person doing bad things for what they consider to be a good reason. Then the battle is on to almost prove to the audience that it's justified. How far can you go with that? How far can that character go before people won't accept it? Trying to walk to edge of that line is a challenge.
I see the audience as the final collaborator. I think it's kind of bullshit when people say, "I'm not interested in the audience reaction." I'm like, "Then why do you do theater? You can write a book, then you don't have to see how the audience reacts." It's a living, breathing thing.
I'm hugely affected by what people think. It could be a million people saying, 'Great.' And then one person writes, 'What the hell is this kid doing?' and starts slagging me off, for some reason, and then I have to join in the blog and sign in under a different name and go,'Why don't you like him?'
Tulips come up in spring for no reason. Of course, you planted bulbs and now in April the earth warms up. But why? For no reason except gravity. Why gravity? For no reason. And why did you plant red tulip bulbs to begin with? For beauty, which is itself and has no reason. So the world is empty. Things rise and fall for no reason. And what a great opportunity that is! You can start writing again at any minute. Let go of all your failures and sit down and write something great. Or write something terrible and feel great about it.
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