A Quote by Mazie Hirono
That makes a difference when you have all these Asian faces running then getting elected. You have some 30 people, many of them Democrats, running for Congress. When the community sees the other faces who look like them can run and win, I think it encourages them.
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Admittedly, no Republican can get elected statewide in California anymore, but nor can what we think of as, nationally, the Democratic Party. There are no Joe Bidens running; it is not working-class Democrats vs. liberal Democrats, or whatever their division is these days. It is Hispanic Democrats vs. Asian Democrats.
The first time people come to see me, it's usually because they're curious. Then maybe some of them return. I look out in the audience and see the same faces, the same wonderful, loyal faces.
Office holders are a self-selected group; you don't get elected if you don't put your name on the ballot. There are many people who would do a great job, but who would never think to run. Find them. Badger them. Get them elected. They might not thank you for it, but a lot of other people will.
I do find it odd people choose to do stuff that makes them look like crazy Hollywood faces, but I've got zero judgment.
Seeing people's faces, really getting off on them, makes me incredibly happy. Genuinely.
I don't think Indian actors are good. A couple of them are, like Anupam Kher, but not many are there like him in the industry. There are thousand of actors and actresses in the industry, but you can count on hand how many of them are really good; the rest of them are just pretty faces.
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
I cannot stress enough that the answer to life's questions is often in people's faces. Try putting your iPhones down once in a while, and look in people's faces. People's faces will tell you amazing things. Like if they are angry, or nauseous or asleep.
Well, on tour I eat terribly, so I balance that by running a lot. And then I started to run with my fans in certain cities. It sounds very nerdy and un-rock n' roll, but I like it. It's fun, and it's better than meeting fans in weird, awkward circumstances. So I take them running with me.
Most magazines have that look of being predestined to be left which one sees on the faces of the women whose troubles bring them to the Law Courts.
Even when I'm writing animation, I think of them as real people. I think of them as completely three-dimensional beings, even if it's a talking teapot. I don't think of them as one-dimensional drawn characters running around. Maybe that's why, to me, there's really no difference in writing the two - animation versus live action.
I don't really look at other people's moves because, when I'm on the field, I'm not going to remember them. It's just something that has a lot to do with instinct and vision and all those running back aspects you have. You put them all into a basket, and you just use them on the field and go out there and make plays.
Other people have faces; Susan and Jinny have faces; they are here. Their world is the real world. The things they lift are heavy. They say Yes, they say No; whereas I shift and change and am seen through in a second. If they meet a housemaid she looks at them without laughing. But she laughs at me. They know what to say if spoken to. They laugh really; they get angry really; while I have to look first and do what other people do when they have done it.
I like to photograph people who have strength and dignity in their faces. Whatever life has done to them, it hasn’t destroyed them.
Albert and I would spend hours and hours looking at them. Cleo had this big magnifying glass on his desk, and we'd find centipedes and grasshoppers and beetles and potato bugs, ants . . . and put them in a jar and look at them. They have the sweetest little faces and the cutest expressions. After we'd looked at them all we wanted to, we'd put them in the yard and let them go on about their business.
Later, going home, I realized they didn't look alike at all; what made them seem to was the aftermath of stress and the lingering of sorrow. It's strange how pain marks our faces, and makes us look like family.
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