A Quote by Mike Birbiglia
They really cut to the chase in the urologist's examination room, and I tried to laugh. If this office were a movie, it would have been rated R.
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In France now, there's no problem with official censorship. Once your movie is finished, you always are R-rated. My movie is just R-rated in France. But when you meet French producers with a script like mine, they behave like the most fragile chickens in the world. They just tell you "Oh, no. You should cut this. You should cut that." And at the end you have been totally censored on the synopsis, and then on the script.
The original 'RoboCop' was X-rated, and then they had to cut it down so it became R-rated, and Verhoeven claimed that actually made the movie more violent, because it's what you don't see that actually scares you.
It's a cliche, but Americans are puritanical. In their movies, they are scared of sex, but they overindulge in violence. I could have cut a G-rated version of 'Y Tu Mama Tambien' that would have pleased the American ratings board, but it would have been five minutes long.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
I'm one of those people who likes a good G-rated movie. So many of my favorite movies are G-rated. I think it's exciting to see a director really push the limits of how exciting a story can be told without ever crossing the G-rating line.
Giancarlo Giammetti has a lot of nervous energy. He's a director, really. He was trying to direct the Valentino movie over my shoulder. I don't blame him - that's been his job for 50 years. But I had final cut in the movie by contract and I wouldn't have made the movie if I had not been completely independent.
I did this movie, 'A Walk Among the Tombstones' - I truly play a horrible, horrible individual in that - and I would occasionally go to the theater and watch what people's responses were, and they would laugh. He makes jokes, and people would respond to him in a human way. Then I've really done my job if I've humanized a really horrible person.
He was so excited. He cut out pictures of these landscapes and neighborhoods and kind of really tried to give you a feel of the movie. It was kind of cute but at the same time it really showed his enthusiasm for it.
In early 2005, I really studied the prospectuses of these mortgage pools that were tranched out into different-rated slices rated by agencies like S&P and Moody's. They had names like Park Place and People's Choice. It was clear to me that many of the buyers of these repackaged subprime mortgages were doing little analysis.
Years ago, I worked in a newspaper office, and there were men that would have fits of temper, and it was just accepted that that's who they were, and everyone would laugh about it, but if a woman got upset or angry, something wasn't right: she was 'hysterical' or 'a little unhinged.' It didn't have the same sort of connotation at all.
When I was three, my dad thought it would be hilarious to teach me swear words, then have me say them to his friends. They would laugh and laugh. I realize now the laugh was pure shock value, but it felt really good, and I've been chasing it ever since.
It's awesome, because in live-action, most of my comedies have been rated R, so I'm trying to make adults laugh. While animation is a completely different world where you're trying to make children laugh. So that difference is a blast to do.
They didn't know why these things were funny. Sometimes you laugh because you've got no more room for crying. Sometimes you laugh because table manners on a beach are funny. And sometimes you laugh because you're alive, when you really shouldn't be.
My problem is with the warped value system our culture has. Why is it that if you knife a woman in a movie it's PG, but if you swear at her it's rated R and if you make love to her it's rated X?
I mostly make R-rated movies. To make a movie that one day if I have kids or my nephews want t watch, I can show them without being put in prison. It would be really nice.
Movies get found in the editing room. The movie that you make is not always necessarily the movie that comes out of the editing room. The trick is to perfect the movie that you have and make it the best version of what you've shot, regardless of what the intent may have been.
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