A Quote by Mike D

I wanted to create this dialogue between music and visual art and vice versa. No matter what part of the spectrum they fill, whether it's visual, music, or whatever, artists are interested in other art forms. Your brain is already kind of firing in that way.
Music has always been a part of me and art in general. I love visual art as well.
I'm so in awe of what visual artists do and I do understand the differences of what visual artists do. I have a small art collection I hope to expand.
Music is relegated to an underground, relatively obscure group of listeners. It's partly because of the nature of the medium. With a piece of visual art, you can look at something ugly, brutal and in your face, but it's kind of - there it is. It doesn't take you over in the same way that putting on the music at a certain volume does.
I feed on other people's creativity, photographers, artists of every kind. Sometimes a feeling that you get listening to a song can be so powerful. I've wanted to write whole scripts around what I felt just listening to a piece of music. I think music is important, and surrounding your visual field with stimulating things.
Painting, music, photography, and visual art have been creative forms of expression for me for decades.
Your interviews or blog posts or whatever are less supplements to your novel than part of it. I'm not private, but I believe in literary form - I'll use my life as material for art (I don't know how not to do this) and I'll use art as a way of exploring that passage of life into art and vice versa, but that's not the same thing as thinking that any of the details of my life are interesting or relevant on their own.
Our music is always, as you know, very spacey- computer graphics, music, images, lyrics, and visual art we make ourselves, or that we make with artists. And it's all synchronized.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
Obviously, something like ballet, you have music, you dance with the music and it's a very direct connection. With visual art, when there's no music that accompanies the art, such as great masterworks in a museum, you wind up interpreting what the artist is doing, how the artist made that work and what they're conveying.
I love to perform not only music, but to make performances extremely visual, and create almost a magical fantasy. It's really an uplifting style of art that combines visuals and music in very dreamlike ways.
As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary.
John Cage is someone I got into as a visual artist, before I even knew his music. I don't think a lot of people even know that he does visual art.
There are three forms of visual art: Painting is art to look at, sculpture is art you can walk around, and architecture is art you can walk through
When I hear music as a fan, I see fields. I see landscapes. I close my eyes and see an entire universe that that music and the voice, or the narrative, create. A music video-and any other kind of visual reference-is created by someone else.
I haven't had the opportunity to study visual art, but it was always my first love when it came to artistic expression. I started drawing and experimenting with visual art when I was 5.
This site uses cookies to ensure you get the best experience. More info...
Got it!