A Quote by Mike Jackson

A lot of networks don't want to touch controversial subjects, and especially stuff that deals with race and history. — © Mike Jackson
A lot of networks don't want to touch controversial subjects, and especially stuff that deals with race and history.
I'm in touch with the social networks and stuff.
The fact that you couldn't see Alfred Hitchcock's first film The Mountain Eagle, or that you couldn't see so many of F.W. Murnau's masterpieces, or that you couldn't see so many of Oscar Micheaux's really intriguing race melodramas, made with fierce independent spirit against all odds in '20s and '30s America. That stuff haunted me. They really did bring to life a sense of 20th Century history: cultural history, pop history, gender politics and race politics, socio economic history, all that stuff. It was bracing and instructive.
I'm not against trade...but they're not really trade deals. They're really investment deals between international corporations...They're saying we want to get a race to the bottom so we can exploit the most unfortunate worker.
A lot of the time, I write a lot of angry stuff, but then I don't want to be a finger-pointer - I'd rather be a cheerleader than a judge. I don't want to preach as if I'm in some position of righteousness, but I do want to speak my mind and scream at the clouds and shout out of the pit of hopelessness that I sometimes think the human race is in.
Oh, my god. I'd be a terrible doctor. I don't like to touch other people. There's a lot of gruesome stuff in my line of work to feel or to admit. I'm sure everyone's expecting me to say "proctologist," but actually no, I don't want to be a proctologist. Probably want to be a dentist, because you don't have to touch much of the other person's body, just their face or mouth.
Literature is about getting in touch. It sounds so hippie, but it really is about sharing stuff. We are a community that doesn't seem to be important for the rest of society, but we are people who want to get in touch - really in touch. We want to be thinking together.
If I have a golden touch, I'd also say that I have the opposite of whatever a golden touch is, because I've had a lot of things fail. I think part of the experience of being successful is that you have to have a lot of stuff not work.
In China, the rules of the market are not always that transparent. So it's very hard. Also, the national TV networks are all owned by the government, so our shows are subject to censorship by the networks. Every now and then, we are told that certain subjects cannot be talked about. There are frustrations.
I have to get my stuff made custom if I want my gown to touch the floor, my sleeves to touch my wrist.
I couldn't get my first film on the air. The first film I did was called 'The Race For Space,' about the U.S.-Soviet space race. The networks had a policy that I found out about the hard way. I even had a sponsor for my program, but the networks wouldn't put it on because it was independently produced.
I want to draw subjects that seem very boring and everyday... Stuff that would be normal except for one thing. Or two things. Or stuff that's undeniably weird.
What Donald Trump has been concerned about, what he`s talked about, is when we get deals that don`t level the playing field, when we get deals that aren`t the kinds of best deals we can get, we want good deals, and those are free trade deals to lower the barriers between trade between two countries.
BitCoin is actually an exploit against network complexity. Not financial networks, or computer networks, or social networks. Networks themselves.
I want to bring the greatest people into government, because we're way behind. We don't make good deals any more. I say it all the time in speeches. We don't make good deals anymore; we make bad deals. Our trade deals are a disaster.
Comedy [deals] with a lot of the same areas where our defenses are the strongest - race, religion, politics, sexuality.
I want to stay in touch with what I have in common with my subjects, with the places where are equally implicated with whatever is wrong with the culture.
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