A Quote by Mike Colter

The big budget films have money to do things that are not necessarily essential but sure are comforting. The catering is usually much better. And you have way more of anything you could possibly need. You definitely get a trailer. My shirt and suit for 'Million Dollar Baby' were tailor made.
When I said that something was going to cost a certain amount of money, I actually knew what I was talking about. The biggest problem that we were having on the financing front was people with lots of money saying "you need more money to make this film [Moon]," and us saying "no this is the first feature film we want to do it at a budget where we sort of prove ourselves at the starting end of making feature films; we can do this for $5 million." That is where the convincing part between me and Stuart came, we had to convince people with money that we could do it for that budget.
You can have a million dollar, 20 million dollar budget or 60 million dollar budget, and if you don't have a good script, it doesn't mean a thing.
When you have all the bells and whistles - you've got the big, fancy catering, you've got the big, fancy car service and the big, fancy trailer - it makes it very comfortable and everybody's making a lot of money. But that doesn't necessarily mean you're going to end up with a great film.
It's been very much in the blood since I started imagining films or shooting with 8mm when I was a kid. I made some films and thought about films, but then I went into writing. Becket is something that's definitely on the cards. We have to see where that fits in the schedule, because it's a big picture and I have a lot of writing obligations at the moment. I'm wary of anything with a budget over a certain amount.
I like the way I look in a suit, and I wish I owned more. Actually, I wish I owned suits that fit me, I should say. You can buy off the rack and think, 'Oh, this is perfect.' But then you get a tailor-made suit for you, and it's a whole different animal. You don't just look good in a suit, you feel good in a suit.
I have never been a major fashionista, but I love a suit, and I did have one made for me by the tailor Stephen Williams. The great thing about a bespoke suit is that it covers up my pot belly. When I buy a suit, I'll pick shoes, belt, tie, shirt and socks, and that will be what I always wear with it.
I'm not the guy to get big record company budgets. My budget is Britney Spears' catering money.
When you're making under-million-dollar films, it becomes so much about actors' availability. When you're using big actors for small films, you're in second or third position to the big monoliths.
I need to make things mine. It annoys me to buy something that is imposed on me. When I have a suit made, I go to the Sicilian tailor Alessandro Martorana in Turin. I like shorter jacket sleeves and often fold the cuffs up. It's more modern that way.
Before I starred in 'Million Dollar Baby,' I wasn't really a boxer. I just worked hard to learn as much as I could before we were there on set.
There’s definitely times when you’re frustrated for whatever reason, but that happens on fifty million dollar movies when you have a huge trailer, so who cares?
I prefer the smaller budget versus the bigger budget because the mentality that goes along with big budget filmmaking doesn't really suit me; the mind-set that money is the answer.
I cried watching 'Million Dollar Baby.' I'm a big baby, man.
Most artists are making as much money now as they could have made... in the heyday of Def Jam [when the] Beastie Boys would sell 10 million records or DMX would sell 6 or 7 million records. Those records are one thing, but then all the other ways to exploit the emotional relationship between artist and community is so much greater that I would guess that they're making as much or more money than they could have ever made.
I took business and economics courses. More than anything, I learned the proper steps and the things that need to be outlined. You have to keep your books: how much money you made, how much money you're spending, what you profited, and what you're gonna need for expenses.
This is a wrong notion that I work in big budget films. Infact, usually low budget films are offered to me, they come and say it's a good story but they don't have the money.
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