A Quote by Mike McCready

The thing about Matt Cameron is he has made us 1000 times a better band than we've ever been. He's such a freight train on drums and such a cool individual as a man that it makes us better as a band, and we are now complete with him.
That's what a producer does - make it better; help make the song better and make the band better. Not write music for the band or tell a band what to do. And Rick Rubin doesn't tell you what to do; that's why some people don't like him.
Any time somebody is into your band that's a good thing. And if they're in a really cool, really popular band, that's a better thing.
What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
I think competition is the best thing for everyone. Competition is what makes us evolve, from when we were itty bitty little tadpoles in prehistoric times to what we've turned into now. Competition makes us evolve and makes us push ourselves better.
I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.
The band and I were leading at a Youth Specialties convention. We were asked to back up Matt Maher for one of the sessions. Matt handed us the chord charts and, with less than 5 minutes of practice, we were playing it live. I fell in love with this song immediately. You can't hear the message of God's sufficient grace too many times. Matt is a great lead worshiper and is a part of Life Teen, a growing worship movement in the Catholic Church.
My band is the best band in the world, period. So, I insist on every song being better than it is on the record. So by the end of the tour, we have to be playing the song better than how it's recorded.
I wasn't looking to be an Indian brass band, but to be a band that reflected my complete identity as an American. The America I was born and raised in intersected with people of all ethnicities and beliefs and that, coupled with my parents' instilling of good values, made me the individual I am now. Within Red Baraat, there are varied musical backgrounds and personalities and that lends itself to many great thoughts and ideas; it's what makes social science, or more precisely, social interaction so interesting to me.
Usually when I start a new project there's a fear of the unknown; maybe it's a band I've never been in the studio with before. People are so different. It's almost like you need to go through the process, discover and unlock what it is that makes that band that band. And a lot of times they don't know it.
I enjoy playing with a big band occasionally, but it's too restricting; you really don't have a chance to stretch out and do what you want to do. Getting that thing of relating to a large band is great experience; I relate much better, though, if it's a small band.
When we started the band, I was really like, "We just want to make a lot of records" - not quite unlike Guided By Voices' schedule. I've always thought that our live thing is what we do best, and having a really robust, big catalog makes for the most interesting live band - especially with people, at this point, traveling to see us night after night. For us to have almost 100 songs to pull from is a really cool thing. The sets can be different. They can be invigorating on an intellectual level. I definitely hope to continue to release records at an accelerated pace.
I think the whole thing, boy band, it's a little bit of a dirty word. They say it's not a good thing to be in a boy band. We want to change that. We want to make the boy band cool. It's not just about dancing and dressing the same.
I got my first set of drums when I was around 3. I went from band to marching band to Latin jazz band - it's like riding a bike.
I haven't got a great jazz band and I don't want one. Some of the critics, Down Beat's among them, point their fingers at us and charge us with forsaking real jazz . . . It's all in what you define as 'real jazz.' It happens that to our ears harmony comes first. A dozen colored bands have a better beat than mine. Our band stresses harmony.
I like myself. I think I'm cool. But I think when you're in a band you take on a role within the band, and I think people over the course of years can identify those roles as almost being bigger than just the individual. I don't know. It's kind of hard to talk about.
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