A Quote by Mike McCready
I was reading an article with Stevie Ray Vaughan a long time ago, and the number '1959' stuck out to me for some reason. So I started searching those out as the band got more popular and I could actually afford one. And I found this one in Los Angeles. That's what introduced me to the whole world of 1959s.
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It's pretty interesting how it all started out. After The Voice, I got introduced to some of my publishing people. We were out in Los Angeles and they said to give them a call when the show was all said and done and they'd get me into the writing world.
I've always been a fan of Buddy Guy as a guitarist, as well as Stevie Ray Vaughan and those blues guys. I'd say those are pretty big influences on me.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I started out a die-hard New Yorker but really grew to love working in Los Angeles. Even though I originally wanted to do theater, TV presented more opportunities for me, which led me out west.
It's definitely true that Stevie Ray Vaughan is one of my all-time favorite guitarists.
DJ Envy's definitely talk about me, but I'm one of many. I was under the assumption that he had kids but wasn't actually married. I found out around the time that I started filming 'Love & Hip Hop.' After I found out, I was still in shock because we were together for so long.
I've been doing my record label for 15 years called Dim Mak. I started my label when I was 19 in '96. I started putting out an eclectic roster of artists. In 2003, we found a band called Bloc Party, and in 2004, we started getting remixes for Bloc Party, and at the same time I was throwing Dim Mak parties in Los Angeles.
'Naked' propelled me into a whole other league. America started calling. I went over to Los Angeles and met all those people, and I started doing a few American films of various levels of quality.
My father is an actor, so he brought me into his agency when I was young. It wasn't something I wanted to do until high school, when I started taking theater and really liked it. Then an agent found me and wanted me to come out to Los Angeles and give it a shot. I gave myself six months, but it only took me like a week to get a job.
I did a lot of musicals when I was younger. And then I went to Northwestern University, and I did more musicals. I went on to do more work in Chicago, and then while I was in college, I got flown out to Los Angeles to do a screen test for 'Back to the Future.' When I got to Los Angeles, I was like, 'Hmmm, this is different.'
All of a sudden I got a vision of Guernica - Pablo Picasso's painting, which is one of my all-time favorite paintings in the world. I remember reading that it was very controversial at the time - some people said even used the word "childlike drawing" - and all of a sudden I thought, "This is like Guernica in Los Angeles!" And then it all made sense to me. It was all the elements that are the Southland.
Los Angeles has interested me for a long time. I was in Texas for five years, for the same reason. I wanted to photograph there.
I had some pretty lucky and good living situations; thankfully I never got forced out of an apartment. A lot of my friends got evicted or pushed out and couldn't afford a new place. For me, I wanted more space to set up a home studio, but there was no way to afford that.
Fortunately, I was still living in Los Angeles at the time. So I went out to World Gym and got a membership.
My guitar setup is inspired by Stevie Ray Vaughan.
One of the interesting things about Los Angeles is that it's still supplying the whole of the world with its dreams through movies and songs and TV - often of an all-American family at the same time as the real Los Angeles is peopled by souls from Vietnam, Guatemala, and Korea who look nothing like the images being beamed out. I think all that is going to have to change and illusion is going to have to catch up with reality in that regard.
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