A Quote by Mike Patton

Orchestral musicians have a different approach than we do, and when I say 'we,' I mean musicians who don't know what they are doing. — © Mike Patton
Orchestral musicians have a different approach than we do, and when I say 'we,' I mean musicians who don't know what they are doing.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
I always tell people that, just to be a bad jazz musician, you have to be better than most musicians. The worst jazz musicians are normally better than most musicians, because you have to know so much.
As young musicians, we cut our teeth on doing gigs at clubs and functions and colleges. That was really the proving ground for young musicians, learning songs, doing covers of different songs that were popular, learning different genres of music.
The availability of downloads is fantastic, but you don't know which musicians are playing on the songs anymore. It's kind of making musicians faceless, you don't get musical solos on records anymore. You know who the singer is but it's the poor old musicians who suffer.
Once we went into the basement and learned a song, we felt successful. Then we learned two songs, and then we got a gig, and on and on - and that's the way musicians think. I don't know about other people - I mean, I don't know about all musicians either - but some are more driven than others.
I don't like that, because there are a lot of people whose works I admire as actors or actresses, or musicians. And you know, I've been a big fan of different musicians or actors.
If you're walking through the Union Square subway station - New Yorkers know it's obnoxious and crowded, and in the summer it's too hot - there are always amazing musicians playing, and sometimes there are multiple, different musicians set up in there.
Bands can become absolutely huge and actually be pretty terrible musicians, and bands can be the most amazing songwriters and musicians in the world and never play for more than 10 people. With that in mind, getting successful doesn't mean anything.
Musicians don't respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good.
Folk musicians have a lot of the same self-importance, but they're way more cruel and jealous than rock musicians - I know this for a fact because I used to be a folk musician.
It's just a joy to be able to work with a lot of different musicians. When you play with great musicians, whether they're schooled or self-taught, they keep you on your toes.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians are good - Bach, Beethoven - yes, good.
To all musicians - forget gender - to all musicians, it's about - do what makes you happy. Just go for it, you know?
No, it's the musicians and I must say they are an accomplished bunch, but odd, as musicians tend to be. Is it the vibration from their instruments, do you suppose, working on the brain? All that fraught buzzing?
If North American musicians would only know how uncomfortable life is for European musicians.
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