A Quote by Mike Posner
It's easier to make art for a society at a certain point in time with an understanding of what's going on.
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When I was in art school, I thought art was something I would learn how to do, and then I would just do it. At a certain point I realized that it wasn't going to work like that. Basically, I would have to start over every day and figure out what art was going to be.
There is the specter of "realism" that is still haunting Chinese contemporary art - that art is only an instrument, an instrument to reflect society, that it must be useful for society. Also, I have noticed many Western media outlets are very insistent on understanding contemporary art in China through this kind of realist approach. Sometimes I even sense that they are intent on, as we say in China, "picking bones of politics out of an egg of art." Or perhaps they see art as merely an instrument to reflect society.
There have been times I thought that when I got a certain point in the story, a certain character was going to do a certain thing, only to get to that point and have the character make clear that he or she doesn't want to do that at all. That long phone conversation I thought the character was going to have? He hangs up the phone before the other person answers, and twenty pages of dialog I had half written in my head go out the window.
Art is a form of understanding like philosophy and science and mathematics are an understanding but the difference is that art has the capacity to hold all these different things. It is the form of understanding that is best suited for the contemporary time.
At a certain point the audience shouldn't worry about catching every word and understanding every twist and turn, because at a certain point that's pretty much impossible.
My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience. I never know who's influencing me at any time.
In my own version of the idea of 'what art wants,' the end and fulfillment of the history of art is the philosophical understanding of what art is, an understanding that is achieved in the way that understanding in each of our lives is achieved, namely, from the mistakes we make, the false paths we follow, the false images we have come to abandon until we learn wherein our limits consist, and then how to live within those limits.
The essential function of the (design) profession in our society is to enhance and cultivate communications toward: Easier understanding of ideas and complex problems, in the shortest possible time and higher visual and auditory retention of data.
We're all weirdos, and people want to work so hard to fit into society, but it's like, no matter what you do, you're never going to be what society depicts as what's perfect, because that's not real. The only point that you have to make is that 'I'm being me.'
Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.
Future contingents cannot be certain to us, because we know them as such. They can be certain only to God whose understanding is in eternity above time. Just as a man going along a road does not see those who come after him; but the man who sees the whole road from a height sees all those who are going along the road at the same time.
We're going to have plenty of work to do, but it's going to be a lot easier than here. There'll be no sorrow, no sickness, no pain, no weariness, no death, no more tears, no more crying. That's certainly going to make things easier. We're going to have rest in Heaven compared to what we've had in this life, but we're also going to have something to do. We'd eventually be unhappy if we didn't!
Oftentimes, it feels like we spend so much of our life waiting to make art, waiting for somebody to let us do something. You don't really have to do that. You can make it all the time. And 99 percent of the time, it's not going to be a big deal on a global scale. But 100 percent of the time, it's going to make you feel amazing.
There was a certain point in my life where I had to decide that I was going to take my future and Nicole's and not wallow in what happened to me because when you do that, you just keep repeating what's been happening and at some point you have to make a choice.
'Understanding' art is like having a sense of humour - if you don't have one, no amount of explanation is going to make you laugh.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
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