A Quote by Mike Portnoy
Any time I say anything about Dream Theater... Honestly, I'd rather not talk about it. Because no matter what I say, it will be twisted and... So I kind of have made myself promise that I won't talk about Dream Theater anymore.
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On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
I see the headlines on Blabbermouth, and the fans are saying, 'Why is he always talking about Dream Theater?' I'm not talking about Dream Theater! I get asked about it.
What happens at the average church or synagogue or mosque is that I don't know many priests or ministers or rabbis who say to their congregation, 'go home and talk about the religion at the kitchen table with your kids...talk about God, talk about what this is all about.' They say in general, come back on the weekend, we'll talk to you about it.
When I say about 'dream is free,' I don't only mean about basketball or to be in the NBA like Serge Ibaka. No. I mean in general, in anything you do. You can do anything you want, anything you dream about. You can do it. You just have to know the dream is free. And dream is free for everybody.
I would definitely go back and do theater; I talk about theater all the time.
Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.
It's botherin' me, man. You know, you can't say this, you can't say that, I'm like, well, how am I gonna talk about the world? You know? I mean I need to talk about something to you all, can I - can I do it? Can I talk to y'all? I mean, I hope the kids are in bed, you know, because I got to talk, y'all.
We talk about the American Dream, and want to tell the world about the American Dream, but what is that Dream, in most cases, but the dream of material things? I sometimes think that the United States for this reason is the greatest failure the world has ever seen.
Never talk to a client about architecture. Talk to him about his children. That is simply good politics. he will not understand what you have to say about architecture most of the time.
My dad's whole family is in Madras and I was born in America so we didn't have that big Indian community. I don't really have anything interesting to say about it. When I talk about it people are like, 'meh, let's talk about something else.'
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
Let's not talk about it any more, but if you still want anything please write to me about it, because I can say what I mean much better on paper.
I've written a lot about drugs and alcohol. I wouldn't say it's because we've gotten bigger or anything, but I kind of feel a little bit done with it. There are other things to talk about.
I am apparently gentle, unstable, and full of pretenses. I will die a poet killed by the nonpoets, will renounce no dream, resign myself to no ugliness, accept nothing of the world but the one I made myself. I wrote, lived, loved like Don Quixote, and on the day of my death I will say: ‘Excuse me, it was all a dream,’ and by that time I may have found one who will say: ‘Not at all, it was true, absolutely true.’
I love actors. Part of that is my theater background and being a writer who cares about performance. Actors have usually chosen their profession because they have a dream of doing it and they want to express something about the world. That's the same thing that I have with writing. Most of the good actors get into it for those reason, rather than for reasons of fame or fortune, or anything like that, and that's where I'm coming from, as a storyteller.
Golf is a game, and talk and discussion is all to the interests of the game. Anything that keeps the game alive and prevents us being bored with it is an advantage. Anything that makes us think about it, talk about it, and dream about it is all to the good and prevents the game becoming dead.
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