A Quote by Mike Judge
When the show started out, it was like all of a sudden we had to do 35 episodes and we had just a month and a half to write them, and it took me a while to realize that I was in charge.
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Starting out, iRobot was not an economic rocket ship. It took six and a half years before we had enough money in the bank at the beginning of each month to make payroll. We always made it - we paid salaries at the end of the month, and I always had four weeks to figure things out.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
It took me a long time to understand not to get caught up in other people's expectations. It really comes down to creative fulfillment. It took me a while to realize I don't want to just be on a show to be on a show.
It started last year, during the summer. I went to the doctor and they found out it was kidney stones, so they had surgery done to help get those out and to pass them... More just kept coming in. So I had all together before the last show... I had like five surgeries.
I've always had a show that went seven episodes or 13 episodes or whatever. And I've never had a show that's gone past a first season. It really is a lot of work.
Yeah, I'd done a bunch of pilots. Some that had gone for a while. One that went for 13 episodes. But I had never been on a show that had lasted more than that.
I had a moment when I first got on Supernatural when I was like, omg, people are paying attention to me and I have fans, maybe I should cultivate an image and like try to seem really cool. I had this sort of moment of being commercially self conscious, and it took me maybe a month to realize, no, this is just not fucking who I am... Here's a picture of me in drag, fuck it - which is, by the way, so much more liberating and relaxing... There's not a more surefire way to give a stifled boring empty vapid meaningless piece of interview. Everything that comes out of your mouth sucks if you're trying to say the right thing...
While I filmed the 'Walker, Texas Ranger' series for eight and a half years, I had never had much time to read, except for screenplays of the episodes.
I was 35, had always wanted to write novels, and thought that I had better do it while I was young enough.
I remember when I had my show [The Chris Rock Show on HBO], I used to run my show. It was so hard to get people to bring sketches to me. No one had ever worked for a black person before. Even the black people hadn't worked for a black person. It literally took a month or two for everybody to know: I'm really running the show.
I had more trouble than I had a sense of utility or satisfaction. But it served to occupy me and to keep me occupied in a field that I love - which was cinema - while I was waiting to realize the film that I wanted to do, which was Once Upon a Time in America, which took ten years of thinking and working to realize.
I had started teaching because I love brainteasers. At some point, I had taken every standardized test out there - the SATs, the GREs, the GMATs, the MCATs. I just took them for fun.
Some men of the line regiment who had appeared on our right started running back. I shouted out to them to halt, but they took no notice. I pulled out my revolver and very nearly shot at them, but I thought it wouldn't do any good, as they all had their backs to me so would have thought that anyone hit was hit by a German bullet. If I ran after them my men might think I was running away. So I took my men on!
I don't recall a show I've ever been on that had the same director do two episodes in a row, but in England, they do it all the time. In England, they'll just have one director for eight episodes. That was the British system that Jane Tranter and Julie Gardner wanted to bring to the States. I think there was a nice merger of the two systems. They might have gone with one director, but John had obligations on The Village, and he had to leave and come back, so it seemed like a natural place to break it up.
Basically we learned not ever to do a show like that [ Gigi Does It] again. That took me to a limit that I didn't know I had. First off, I show-ran the show and was the head writer. I had never done anything like that before. It was an immense responsibility.
In Jamaica we had the English way of schooling from the age of four, so when I got to America I was already a few years advanced because I started school at the age of three-and-a-half rather than six and my grades moved up accordingly. In America, they start you at school at six because the grades are different. I had to take a test and they didn't know what to do with me. It wasn't that I was any smarter; I had just started younger. All of a sudden I was jumped from eighth to tenth grade. They said I was very smart, but I was only smart in languages, really.
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