A Quote by Mike Tirico

I wrote six versions of a 30-second tease for an NBA game. You never get it right on the first try. — © Mike Tirico
I wrote six versions of a 30-second tease for an NBA game. You never get it right on the first try.
It's more like I write multiple first drafts, handwritten. So with my first novel, I wrote whole drafts from different points of view. There are different versions of that novel in a drawer on loose-leaf sheets. I won't even look at the first draft while I'm writing the second, and I won't look at the second before writing the third.
'Teenage Dream' was the most difficult song I've ever been a part of. We wrote five different versions of it. We couldn't get the lyrics right. Max Martin and Dr. Luke wrote most of the melody, and then Katy Perry and I were responsible for getting the lyrics right.
I just want to be in there at the end of the game to try to help the team win. The last six minutes of an NBA game is where you make your name, so hopefully I'm in there trying to help my guys win.
I think it's the hardest part for about 80 percent of the guys in the NBA. That's just the way it is in the NBA, unless you're a mega superstar. You're just going to play wherever you go. You try to find the right fit and the right team with the right system and the right coach at the right time.
I always tried to be an all-around player. In college, I felt like I needed to add to my game to get to another level, to get to the NBA. The NBA has really turned to positionless basketball, so it was very important to me to have an all-around game so I could stand out in front of other guys.
This is the NBA; you can't stop everybody from scoring 30. But that 30? They're going to work for every point they get. And that's my mindset.
Yeah, I was ready for the NBA. Because I went through a lot of things back overseas. And you know, playing professionally from a young age and then playing against the older guys - guys over 30; older, talented guys - was really tough, but it also helped my game grow and just get me ready for the NBA.
Look at all of the pitchers getting six- and seven-year deals at 30, 31, and 32. You see what's going on and the money that's out there. You'd be a fool not to try to benefit from that, or at least try to get what you feel you're worth.
My whole first season was surreal. My first game was against Detlef Schrempf. There was German media everywhere. It was probably my worst NBA game. It was all a blur.
There is a big difference between No. 1 and No. 2. I don't care who wrote it. I'd love to one day have a No. 1 that I wrote, but if that ain't in the cards, whatever. My job is right now is to make the best music I can and try to get it to the people, whether it be something that I wrote or not. It's my job to be the best I can for the fans.
It was kind of good to get my feet wet with my first NBA game. I felt comfortable out there, let the game come to me. I played within myself and I thought I did pretty good.
There is no room for second place. There is only one place in my game and that is first place. I have finished second twice in my time at Green Bay and I never want to finish second again.
My good friend Yao Ming was the first big player in the NBA to come from China. He gave himself to the game and was successful. That inspired the NBA to invest more and do more for the game of basketball. We're building academies not just in China, but in India, Africa, Europe and South America as well.
I just try to play every game like it's Game 7 of the NBA Finals.
When I travel around the globe, I try as hard as I can to represent the NBA and the game of basketball to the best of my abilities. I get to go around the world and not only share the game but also my philanthropic work. Building a hospital in the Congo is one of the proudest achievements of my life.
When I wrote 'Savage Season,' it was three years later before I wrote the second Hap and Leonard novel. Whenever I wrote one, I never intended to write the next one.
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