A Quote by Maika Monroe
I wasn't thinking that I was two horrors back to back; I was thinking these were characters that I want to play.
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It's funny when you know you're playing two characters and you're aware of how you have to play each one into your performance of the other. You're constantly at the back of your mind thinking and it all gets a bit confusing.
I was thinking about all these things and more, but I wasn't really thinking about them at all. They were just there, floating around in the back of my mind, thinking about themselves. What I was really thinking about, of course, was Lucas.
When we are thinking in an attacking moment, I want the goalkeeper thinking, for that, he is the first. The same when we are thinking defensively - I want our strikers to be thinking, 'We need to protect the goalkeepers.' I want those two moments to feel the same for all players.
That's what I've always loved about music, that I could go be another guy for two hours. But ultimately it all comes back to: do you have the songs, can you sing them, do you have a great band that can play them with you? You're charging money to have people come watch you play; I want them to feel taken someplace good or provoked into thinking my way for an hour and a half or two hours. I have been a provoker and I'll probably always be one in the public arena for the rest of my life.
Funny thing about those Middle Ages, said Joseph. "They just keep coming back. Mortals keep thinking they're in Modern Times, you know, they get all this neat technology and pass all these humanitarian laws, and then something happens: there's an economic crisis, or science makes some discovery people can't deal with. And boom, people go right back to burning Jews and selling pieces of the true Cross. Don't you ever make the mistake of thinking that mortals want to live in a golden age. They hate thinking.
I think it's a travesty that the NBA can't just tell these guys to play basketball two days in a row. It's just a joke to me. We flew commercial, and we were able to play back-to-back.
When I turned 25, something changed in me. I see children in my future 100%. Soon. I started thinking I want my kids to look back and say, 'Wasn't Mummy amazing?' I've really started thinking about what I'm leaving for them.
There's two kinds of thinking. There is conjunctive thinking and there's disjunctive thinking. Disjunctive thinking says it has to be either/or. Now clearly, there are some either/or's - I either trust Christ or I don't. I'm either pregnant or I'm not. But a lot of thinking in Scripture, when it comes to theology is, in my opinion, conjunctive thinking. It's both/and. I believe that and I believe that.
When I get ready to talk to people, I spend two thirds of the time thinking what they want to hear and one third thinking about what I want to say.
I loved writing fiction. I mean, once I found the character, or the characters, and knew who they were and knew their back-stories, it really - I mean, I went into my studio every day, thinking, 'What's gonna happen to Billy today?'
You can reasonably make the intellectual journey from thinking it's permissible to eat shrimp to thinking it's not permissible, or vice versa, whereas our slavery journey was uni-directional. We are as certain we are not going back to that old kind of slavery as we are that we aren't going back to the geocentric universe.
I'm kind of a homebody, and the rhythm of my thinking and work is starting at home, going out and coming back, bringing back news, bringing back information, applying it.
When I'm writing, I'm thinking about how the songs are going to play live. Fifty bars of rap don't translate onstage. No matter how potent the music, you lose the crowd. They want a hook; they want to sing your stuff back to you.
You could have fooled me. Everytime I called you, Luke said you were sick. I figured you were avoiding me. Again." "I wasn't. I did want to talk to you. I've been thinking about you all the time." "I've been thinking about you, too." "I really was sick. I swear. I almost died back there on the ship, you know." "I know. Everytime you almost die, I almost die myself.
I'm always thinking, 'my career is over, I have to move back to Omaha, and work on the railroad, with the rest of my family. So no, I'm never thinking I've 'arrived.' I think that's a good way to be.
My hair and makeup people and stylists have changed over the years, but they all know sometimes I want to do Marilyn, and on another day I want to do Jackie O. Though sometimes I look back and have to say, "Wow! What were we thinking there?"
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