A Quote by Micah Richards
My favourite actor is Denzel Washington, he's a smooth character so he could play me too!
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When I hear people comparing Mike's [Jordan] work to Denzel [Washington] I think it's amazing.. Because Denzel is such an amazing, textured actor. And I think that that comes with Mike too. I'm not thinking about how they look, though; I'm thinking about what they're able to accomplish.
I like 'Denzel Washington is the Greatest Actor of All Time Period' podcast.
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
Denzel Washington is a big Hollywood movie star now. But he started out as an actor in the Negro Ensemble company.
It'd be very difficult to cast me as a ballet dancer. Everybody is, in some sense, controlled by their size and their gender. I'm not going to be allowed to play the part that Denzel Washington plays.
Denzel [Washington] just knows the actor. He knows the process, and you don't often get that.
Anyway, I'm doing my rave and this spittle comes out of my mouth and it winds its way very delicately through the wire fence that separates us and lands clear and bright on Denzel's lip. And we're at the beginning of the scene and I've got to do the rest of the scene, and the camera isn't on him, it's on me - and I'm fully aware that I've just spat on Denzel Washington!
Obviously, ["Fences"] is a character-driven piece in every sense of the word, and Denzel [Washington] knows the actor. He gave us two weeks of rehearsal. He is a truth teller, and he is a truth seer. So he knows when something is not going in the right direction, and he will call you on it. But, he knows the word to use to unlock whatever is blocking you. So I think he's fabulous and he's a teacher.
To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.
I didn't really look like a character actor, yet those were the roles I loved to play. If you were a character actor who didn't necessarily look like a character actor, you had to play bad guys.
If I could get any semblance of, not really anonymity, but control over my public image, that would be nice. But no, I think it's impossible [to maintain that], for one thing. I don't think anyone can do that, apart from Denzel Washington. It's a strange place that the film industry is at, where you can just play superhero after superhero.
I'd love to do a movie with Denzel Washington, or some action star such as Matt Damon or Mark Wahlberg would be really cool, too.
When Denzel [Washington] first called me on the phone after we'd just done a reading of the film ["Fences"]. He said, "Oh Viola it was so good, wasn't it?! I'm gonna tell Russell [Hornsby] to lose a little bit of weight and..." I was just sitting there thinking, why is he calling me? And I told him, "Denzel don't you tell me to lose weight!" He said, "I'm not telling you to lose weight! I can't believe you would say that."
He is a regular guy who absolutely is not attracted to his own celebrity. He's a jokester, a little rough around the edges, with great heart and compassion; he loves his family. I feel very comfortable with him. I don't see 'Denzel Washington Star'; I just see Denzel.
One of my jobs as an actor, regardless of who I play - even if I'm playing a despicable character - is to make people think that that character could exist, that he's real, and the way to do that is to make him believable. He doesn't have to be likable or charming, but he just has to be believable. That is someone who I could see on a bus. That is someone who I could walk past in the street.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
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