A Quote by Michael Arden

My grandparents, Jim and Pat Moore, were an incredible couple. They drove me to the community theater, where I did plays as a kid. — © Michael Arden
My grandparents, Jim and Pat Moore, were an incredible couple. They drove me to the community theater, where I did plays as a kid.
I was a theater dork in high school and did all the plays. My theater teacher in high school, Janet Spahr, was absolutely incredible and mentored me throughout school. She taught me a lot about relying on my instincts.
I went to Elon University and studied musical theater. I usually did two musicals a year, but I also did a couple of plays. That was sort of always where I felt the most relaxation.
I majored in theater in college. I did a couple of plays in high school, and I really enjoyed it, so I went to Illinois Wesleyan University and got a degree, and then I went back to Chicago and started doing theater in all the companies around the city for about 11 years before I moved out to L.A.
When I was a kid my father would read Neil Simon plays with me when I was going to bed, as bedtime stories. All of these old plays like The Odd Couple and Lost in Yonkers - funny but corny plays about Jewish New Yorkers in the mid-20th century.
I certainly did plays in high school and community theater, and I want to get back on the stage.
I spent a lot of my time, growing up, at the Beck Center. I'd be in plays there, and I'd get there an hour or two early just so I could be there, where I felt safe and where I belonged. And that's such an important feeling to have as a young kid. The theater community, and especially the Beck Center, really embraced me and got me started.
I really only did theater in school in college. I did summer stock a couple of times in the summer, and plays that the school put on. But I knew I wanted to be in movies.
As a kid, I was fortunate that we grew up near a children's theater, with all different classes and things; so as a kid I took classes there and as I got into high school I did all the community theater stuff. Then I came to college here in New York, going to Marymount Manhattan, and studied acting there. But most of the training I got was from working. Working with really great people.
I had done some community theater plays and I just had so much fun doing it. I was a really shy kid growing up and it gave me a platform to be able to express myself in a way that I didn't feel comfortable doing yet in my own skin.
I played a little basketball, but basketball interfered with theater season. That's when we did our term plays and did nutshell versions of Shakespeare for English classes. And, believe me, I got a fair amount of looks from the guys on the team. 'You're in theater but you can play football?'
I started working in New York City as an actor and did many plays. I did regional theater, smaller theaters, children's theater.
I transitioned into theater and acting when I was about 9, community theater and musicals, being, like, chorus-kid-number-78 or whatever. But I just loved it. As a kid you just crave attention, and early on I just felt it was so cool and fun to play around and have people clap for me. But eventually I grew up and fell deeper into it.
I majored in theater. I did plays. But musicals were not my thing.
I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.
One of the things that I'd like to get back to that I did as a younger actor was to work on, you know, a rep season for a summer where you did two or three Shakespeares, and you'd do a couple of either new plays or classic plays, and you did a different one almost every night.
I did as much theater as I could. I worked at a theme park and a Bible theater and a community theater.
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