A Quote by Michael Arnzen

From his style, you’d think Jason Brannon was the dark double of Ray Bradbury. He cares more about character and realism than most writers I’ve read and his plots flow like well-orchestrated music. Indeed, Brannon’s writing has a classical feel, reminiscent of the best traditional work in the genre, even when he’s going for gut-wrenching terror and torture in-extremis.
As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
Nick Flynn is another writer I admire - his fragmented sections, his playfulness with genre, his urgency. The palette in his work is his style, a voice that is singular, and that's what I think writers should strive for, to have a style and a voice that is only theirs.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
I read everything of Ray Bradbury when I was 12 or 13, and I think that's the most effective time to read Bradbury. He built such a moral world, where you have to make decisions and grow up.
Ray Bradbury published his first story 29 years before I was born. He established himself as an international writer long before I arrived. When my mom was nine months pregnant with me, my father read Bradbury aloud to her as I listened intently, in utero. And I later became his biographer.
Ray Bradbury was not ahead of his time. He was perfectly of his time, and more than that: he created his time and left his mark on the time that followed.
There are, occasionally, writers who are able to combine both story and style. They are, of course, the best. You get a spectacular view and you also get to look at it from the backseat of a chauffeur-driven Cadillac. In the field of fantasy, those writers able to combine story-as-narration with story-as-style are even rarer. But there are a few...the late Theodore Sturgeon, the early Ray Bradbury...and Richard Christian Matheson. A brilliant chip off the old block.
Bradbury would have said his plots are myths and metaphors that tell stories about the human condition. That's what sets him apart from other science-fiction writers: He doesn't write about technology, but about the human heart and psyche.
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
I know Donald Trump quite well. We've never shared values, he and I. But I respected his ability to turn it around. So I respect somebody who can turn things around and be successful. I think the president's communication style is the most difficult thing because he actually does care, people who know him know he cares. But his style of communication, his combative approach, the elements of ego that are obviously there in all of us but seem to be more easy to see in the president sometimes than other people, get in the way of his capacity to lead, unfortunately.
I never had a favourite book! I liked all kinds of things - science fiction, so I read Heinlen and Ray Bradbury, and I also liked reading about kids like myself, so I read Judy Blume and Norma Klein and Paula Danzinger and a lot of other writers. I also read James Herriot!
All nonfiction writers, whether they like it or not, are translators. The translator is the perfect journalist. The best journalism endeavors to convey an essential idea or story to an audience that knows very little about it, and that requires translation. To do this successfully, the writer must filter the idea through the prism of his eye, and his mind, and his writing style.
Although he moved away from the Midwest for good at the age of thirteen, Ray Bradbury is a prairie writer. The prairie is in his voice, and it is his moral compass. It is his years spent in Waukegan, Illinois - later rechristened by Ray as 'Green Town' in many books and stories - that forever shaped him.
I started playing classical music, and I still do. I think music ultimately is kind of on a theoretical level, is about collecting and learning as much vocabulary as possible. It's kind of like writing. It's kind of like writing because the more you read, the more you hear people describe things. The more you soak in, as far as vocabulary, the more access you have in order to express yourself accurately and vividly.
There's a fantastic, thousand-page book by David Thomson about [David O. Selznick]. Again, it's not the best argument or the best advertisement for his story, because most people aren't going to read a thousand-page book. But I feel like the rise and fall and the work [Mayer] produced - not just the movies, but the memos, the volume of writing - he's just so passionate, and that's really exciting.
More than fantasy or even science fiction, Ray Bradbury wrote horror, and like so many great horror writers he was himself utterly without fear, of anything. He wasn't afraid of looking uncool - he wasn't scared to openly love innocence, or to be optimistic, or to write sentimentally when he felt that way.
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