A Quote by Michael Brandt
I think a reason why TV is exciting and getting so much better is because we [authors] get to play off of an actor's strengths and challenge them on their weaknesses. On a feature [film], you don't necessarily get to do that. You hope that they cast the right guy, who comes in and plays your part.
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I'm always trying to make something that is impossible to film. Why would somebody just read a novel when they can see it on TV or in the cinema? I really have to think of the things fiction can do that film can't and play to the strengths of the novel. With a novel, you can get right inside somebody's head.
Part of growing up is learning your strengths and weaknesses. What better way to figure out that hand-eye coordination ain't your thing than by getting drilled in the mouth by a red, rubber ball? You only gotta get beaned in the face so many times before you figure out, 'I better hit the books because this is not working out.
I think that comes with a collaboration with the writers. I think that we get cast in edgier roles because we are a little more offbeat, so people - as we get to know the writers, and as the writers get to know us, they start to write around us more, and that's why I think the pilot is not always the best way to get to experience a new television show, because we're fitting ourselves into these characters. Whereas as the show evolves, they're writing the characters for us and for our strengths and weaknesses.
Why would somebody just read a novel when they can see it on TV or in the cinema? I really have to think of the things fiction can do that film can't and play to the strengths of the novel. With a novel, you can get right inside somebody's head.
I get a lot of people saying to me, 'Oh, you're the actor who plays the nutters,' and I'm not. I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.
I think making shorts is really about giving yourself the opportunity to learn what your strengths and weaknesses are. That's really important to know before getting to your first feature. In many ways you can't afford to make too many mistakes while on that feature.
If you're a playwright, unless you're really lacking in get-up-and-go, you can always get your play up somewhere. You can't necessarily make a living doing it, but theater is about meeting an audience. Plays are not easier to write necessarily, they take less time to write. If you get them up, it's a much more rough-and-tumble kind of existence. I think it's, from my perspective, easier than novel writing.
If you are good friends with someone, you get to know them better and their strengths and weaknesses. You have that respect for each other, and you learn the way one another play.
I don't necessarily find superheroes in general, for me, that appealing. I'd much prefer to play, if I was to be cast in a superhero film, I'd prefer to play the villain because there's a reason, there's a motive behind their madness.
One problem people have is that they lie to themselves. You may think you are more talented then the next guy. Which is exactly what the next guy thinks as well. Rarely is talent enough. You have to find ways to make yourself stand out. You do so by playing to your strengths and making people aware of those strengths. Always remember that no matter how many times you get shot down, you will get smarter, better and you only have to be right once to be successful.
I think I'm good at amplifying an actor's strengths, and minimizing their weaknesses. And they all have strengths and weaknesses.
The biggest challenge we all face is to learn about ourselves and to understand our strengths and weaknesses. We need to utilize our strengths, but not so much that we don't work on our weaknesses.
TV becomes easier because you get to spend time with that character. It's going to go on for a while, and the more you know something, the easier it becomes, the less nerves you have about it, and the better it is for improv because you have that camaraderie between cast regulars. In film, it's harder because you got to get in and get out.
I also think the more experienced you get as an actor, you start to hear the conversations about why people get cast and not cast, sometimes it's so arbitrary. They decided the moment you walked in the door. And there's nothing you could have done to sway them, even if you'd the greatest performance of all time.
On every job you do, you've got to raise your game. My ambition is to just get better and better every job you do - you should never stop trying to get better. You have to teach yourself new things - I don't think you necessarily learn them from other people because you have your own style of doing things, but hopefully you get better.
I need to get better as a player, I need to get fitter, and I need to get better on the mental side. It's exciting for me, because there's so much I could do better. I don't feel like I've really maxed out any shot. People talk about my serve, but I think that can even get better.
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