I enjoy playing with a big band occasionally, but it's too restricting; you really don't have a chance to stretch out and do what you want to do. Getting that thing of relating to a large band is great experience; I relate much better, though, if it's a small band.
So, we went from being an Athens band to being a Georgia band to being a Southern band to being an American band from the East Coast to being an American band and now we're kind of an international phenomenon.
When you are in a band for a number of years you loose your identity in a way. You become a part of that band and then all of a sudden you are not part of that band. You are still the band without the other two members.
Experience I think is a big part of getting better and being a better team and going to the playoffs and toward the championship for sure.
Every job has its downside. For example, being in a band; the travel part of it - getting picked up from your house in a car, going to the airport, getting on a plane, going from the airplane to a van, then going from the van to a hotel.
Every job has its downside. For example, being in a band the travel part of it - getting picked up from your house in a car, going to the airport, getting on a plane, going from the airplane to a van, then going from the van to a hotel.
My band is the best band in the world, period. So, I insist on every song being better than it is on the record. So by the end of the tour, we have to be playing the song better than how it's recorded.
That's what a producer does - make it better; help make the song better and make the band better. Not write music for the band or tell a band what to do. And Rick Rubin doesn't tell you what to do; that's why some people don't like him.
Mac Rebennack, better known as Dr. John, once told me that when a brass band plays at a small club back up in one of the neighborhoods, it’s as if the audience—dancing, singing to the refrains, laughing—is part of the band.
I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.
That's the funny thing - if there was a year and half or two years of us being a band like every other band and then getting signed, we would probably have made 'Pretty. Odd.' as our first album instead.
I recognize that I'm in a band, and part of being in a band is doing interviews, and I do have a platform so I want to use that platform to talk about things that are real.
I like being part of teams that go into things that people don't think are doing very well and getting into them to do better.
We've gotten better at shooting down routine material or stuff we feel like we've done better in the past. Getting different people in the band for periods also keeps it from going stale.
If you're in a garage band, it's about being better than the band in the next-door garage. But in the folk tradition, it's more a vibe of sharing.
I don't know if I have a favorite part of being an artist. I do love being onstage and performing with my band. I also love rehearsing with them and creating the show, that's always a fun part. But there's also nothing like being in the studio and being able to get back to myself and get back to my feelings.