A Quote by Michael Ealy

What is a human-like droid that operates from a place of free will and has been designed to have a soul? That's fascinating stuff that you just can't quite comprehend quickly. It's not like playing a fireman with a wife and kid. You can gauge where that's going to go and what's going to happen, and you can talk to other people who have done it.
When I left Africa in 1966 it seemed to me to be a place that was developing, going in a particular direction, and I don't think that is the case now. And it's a place where people still kid themselves - you know, in a few years this will happen or that will happen. Well, it's not going to happen. It's never going to happen.
I don't like to talk about myself. I like to talk about stuff that's happening, stuff that's going to happen, and the people who are going to make it happen.
Quarterback and cornerback are two of the hardest positions to play on the field, so yeah, you're going to get beat, you're going to throw interceptions, you're going to get sacked, you're going to miss throws. Stuff like that is going to happen. That's something you've been prepping for your whole life playing the position.
Most people who work with me can tell you I'm a bit of a pessimist about business stuff. Not because I don't believe in what I'm doing, I just don't like feeling presumptuous. Like, 'This is what's going to happen!' Honestly, I don't know what will happen.
We just bought a new house, so my wife's been doing all the moving and other stuff, so I would like to go home and just sit and enjoy all that for a couple months before I gotta start playing again.
We just bought a new house, so my wife's been doing all the moving and other stuff, so I would like to go home and just sit and enjoy all that for a couple months before I gotta start playing again
I like going to museums and stuff, but I also like going out and doing lots of physical activity like camping and hiking. I like doing stuff that I've never done before. Curiosity is a big thing. Usually it means that people are intelligent and that they want to learn stuff about the world.
That is what we have been feinting towards for a year of our lives: pretending like it was going to happen, acting like it was going to happen, and making you think it was going to happen. I like to work from the back forward.
For people who don't love running, they don't understand - but I never feel like anyone is putting a gun to my head to go out for a run. I feel like a kid going out to play - that feeling of when you had a bike as a kid and you'd go out and just ride and be free and have fun.
I mean, you're just not going to like somebody and he's not going to like you. But you're going to go out there and play. And you're going to give the other seven or eight guys on that field a chance to win. And that's just the way it's going to be.
There was really only one person who - and I remember to this day - he was a fireman, and he said, "You'll never know what you'll do when you're in a fire." Everyone else was like: "I don't care; I would have saved my children; I could have done it. Even if I was asleep I would have woken up and saved my children." But the fireman said, "You never know what's going to happen unless you're in there."
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
Maybe when I was a kid, when you have those crazy dreams about what music is going to be like - a string of No. 1 hits, a limo, and a fairground in your back garden - and then you start as a musician, and you realize very, very quickly, that's not how things work. So I just let go of all that stuff.
Usually when you're playing with other people in not such a reverberant room, you have to be quick on your feet and think about stuff really quickly. But inside the cistern, it was almost like I was at home on my computer arranging and taking time thinking about the next step, the next note. Instead, the room was my collaborator. I could hear the note and sit there and think. I could be arranging as I was going in real time, which was fascinating.
People are paralyzed on a football field. People die. You just never know when it's going to be your last moment. I was the kind of guy who would never talk to my wife on game day. Now I'm the guy who's like, 'I love you.' I want my children to know I love them because I don't know what's going to happen out there.
I think it's really important to not talk about how you're going to release something until you've finished it. People are like, "What are we going to make? What are we going to do with it?" and it's just like, "I don't know, we're just making music. Then we'll talk." You can't always write something you're happy with; you can't force it.
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