A Quote by Michael Isikoff
Look, obviously that was - created quite a firestorm, but Newsweek editors have made clear that this was a situation where, you know, a solid, well-placed source provided some information.
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With the right information at our fingertips, we can always make better decisions. That is one of the reasons I'm working with Tom's of Maine, in particular. For decades they've provided information about ingredients, their purpose and source.
When I was at 'Newsweek' magazine - which, you know, this really sounds like I walked four miles in the snow to school - but I started at 'Newsweek' magazine in 1963, which was before the Civil Rights Act of 1964. So it was actually legal to discriminate against women, and 'Newsweek' did.
The modern election campaign is created by power in order to convince the realm that all is well, and, further, that its inhabitants are being presented with new information and a clear choice.
Obviously, it's designed by record company executives who want a cheap success, and they don't want to give money to anybody and they don't want to give contracts, so they've created this world of very bubbly teenagers who want to be "idols" and they think all they have to do is mime quite well and they've made it. ... But it's not the problem of the kids, it's the problem of the record companies, because it's just an inexpensive way for them to have so-called, I won't say "artists", but erm...You're nodding, you know what I mean.
Obviously I don't agree with everything he [Donald Trump] says. There's a lot that we have a difference of opinion on. But we can't ignore that he's touched on some issues that people are concerned about. If you look at the statements he made this week, obviously I think he made them partially to recapture the limelight after having lost it.
I'm optimistic, though. Now, with the Arab Spring, I think that people in the region are beginning to overturn some of these clichés, and Western editors are starting to catch up. We're seeing some exceptions to the stereotypes, like Elizabeth Rubin's great piecein Newsweek, "The Feminists in the Middle of Tahrir Square." But an article like that shouldn't be the exception. It should be the rule.
Whenever an obviously well founded statement is made in England by a person specially well acquainted with the facts, that unlucky person is instantly and frantically contradicted by all the people who obviously know nothing about it.
The situation has provided a cue; this cue has given the expert access to information stored in memory, and the information provides the answer. Intuition is nothing more and nothing less than recognition.
We live in this world of tweeting, and social media, and anti-social media, and all the rest, so no matter what you say, there is going to be what people say is a firestorm. I don't know what a firestorm is.
For better or worse, editing is what editors are for; and editing is selection and choice of material. That editors newspaper or broadcast can and do abuse this power is beyond doubt, but that is no reason to deny the discretion Congress provided.
I had gone to work for 'Newsweek', left 'Newsweek' and went to work for 'Vanity Fair,' and then went back to 'Newsweek'. I came back to 'SI' as a contract writer.
The ways in which readers encounter and relate to information is dramatically influenced by their education as well as their awareness of the pitfalls relating to the information source.
I would be quite content if I myself could be rated fifty-fifty in merits and demerits. But one thing I can say for myself: I have had a clear conscience all my life. Please mark my words: I have made quite a few mistakes, and I have my own share of responsibility for some of the mistakes made by Comrade Mao Zedong. But it can be said that I made my mistake with good intentions. There is nobody who doesn't make mistakes.
And what is 'art'? - a firestorm rushing through Time, arising from no visible source and conforming to no principles of logic or causality.
I worked with [Hillary Clinton] for four years very closely when she was secretary of state and I was at the CIA. I provided her - personally provided her some of the most sensitive information that the Central Intelligence Agency has.
Ayman Zawahiri, Osama bin Laden's deputy, as well as Abu Musab Zarqawi, have made it quite clear in their internal propaganda that they cannot win unless they can drive the Americans out. And they know that they can't do that there, so they've brought the battlefield to the halls of Congress.
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