A Quote by Michael Easton

I've been on so many primetime shows that were cancelled - after one episode, after 10 episodes, after just one season. I got used to that. But I found myself choking up a bit at 'OLTL.' It was really hard to say goodbye to those people. It was not the way we wanted to go out.
After the success of 'Empire' and 'How to Get Away with Murder' and 'Scandal' and 'Power' and 'Black-ish', which all had characters that were genuine, authentic, and had the language of real people, I found myself coming into pilot season and every network just wanted to have their version of one of those shows.
When I found out that they were doing a revival of 'Annie,' I decided to audition just for fun and see how it turned out. So I auditioned, and I got a callback after callback after callback. And I just wanted to be a part of the show; I didn't care what role.
That's the one thing I say about the great British shows. You know, I see it on the series on HBO where the season is shortened to like 12 or 6 or whatever it is. You know there's a reason why there's a quality behind that. Because I think the writers as well as the crew and the cast do get burnt out after doing continuous episodes after and over and it feels like a factory rather than something of a creative process. And we get tapped out. That's just my opinion.
After doing comedy for a while and knowing how hard it is to do physical comedy right, I learned how incredibly talented the Three Stooges really were after re-watching old episodes. They still stand up!
For 10 days after the Olympics, I couldn't go back to my house because people were sitting outside waiting to take my photo. That was a bit rubbish. At first I was open: 'Yeah, of course you can take a photo...' but after a while, it got to the point where I thought, 'Whoa, I don't like this attention anymore.'
After Mad Season, I started writing my own music for Pearl Jam and brought it in. 'Given To Fly' came out of that, and so did 'Faithful' - those were on 'Yield,' which came after Mad Season.
The test of one's decency is how much of a fight one can put up after one has stopped caring, and after one has found out that one can never please the people they wanted to please.
So we [with Chris Ellis] did [Fresh Hell], and we did the first five episodes as a lark, just to see if anybody would respond or be interested, and we got enough feedback that was positive that we thought, "Let's keep going with this and see if we can flesh it out a bit this season." We've had 10 episodes, and they've been longer and a little more complete.
Watching 'Mahabharat' and 'Mahakali' on screen after so long really got me nostalgic! It was honestly wonderful and an emotional moment to relive those memories from both the shows I have been part of while watching their very first episodes all over again.
When we came to the network, it was a very interesting time where Portlandia had just come on the air and had been very, very successful. I think people had Portlandia-sized expectations for Comedy Bang! Bang!, especially after the first episode was sampled by quite a large number of people. I remember getting the ratings after the first episode, and the network was over the moon about it. And then the second episode tanked so hard. Like, no one watched it. It was a resounding, "Hey, a bunch of people tried your show, and they all hate it!"
After those first two BAFTAs, I didn't really get offered anything, which makes you think, 'Oh, no!' And, after I finished the second series of 'Broadchurch,' nothing came up for six months, which really is a long time, and I got a bit panicky.
During my years as a practicing lawyer, it just was part of your study of what Congress was trying to say in their statutes. I never really considered judges or scholars as either those who used legislative history or those who were opposed to it until after I got on the court.
I believe everyone should have a good death. You know, with your grandchildren around you, a bit of sobbing. Because after all, tears are appropriate on a death bed. And you say goodbye to your loved ones, making certain that one of them has been left behind to look after the shop.
It's easy to leave people wanting more after the first episode, but it's hard to leave people wanting more after the 24th episode. And it's my job, more than anybody else's, to keep that in mind. One season, in TV terms, is nothing. You need to hit it for three or four seasons, and then you're doing well, in TV terms. Then, you've done your job.
Well, thing is, after they cancelled 'Zen', I didn't work for eight months. And in that case, it was not my choice. After I've done something that I'm really proud of and I think changes the way I'm perceived, the immediate reaction is: nothing.
When I go after something, I go after it hard. It has always been that way. I don't know. It's in my blood.
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