A Quote by Michael Carbonaro
My goal was becoming the next David Copperfield. I learned how to be a performer by emulating him as a kid - his formula of just talking to people onstage, being free to improvise, being charming and witty with a crowd, together with great, beautiful magic.
Related Quotes
If I had auditioned for 'Merlin' on magic alone, I don't think I'd have got it. Like any kid, I probably had a magic kit, but it's not something I ever pursued. I've never watched a magic show like David Copperfield or used him to base my character on, but I really like David Blaine and Darren Brown. They are doing wonders.
As a schoolboy, I loved Charles Dickens. His 'David Copperfield' has had the strongest influence on me - I looked up to David Copperfield as a role model.
If film making is magic, there's a difference between close up magic and David Copperfield. If you're doing close up magic, which independent filmmakers do, it is a very delicate craft, interpersonal relationship, and being able to enrapture a very small audience.
I was just a kid and I didn't have a dad. That's hard, because when you're a kid, you blame yourself for everything. And I blamed myself for him not being around, for my parents not being together.
Ever since I was a kid and watched magicians on stage, like David Copperfield or Siegfried and Roy, I instantly knew how they did everything. In my head, it just all worked.
It's so funny, all the similarities that we have [with David Copperfield] of being obsessed young people and finding a way to be around the people doing what we want to do.
When I was younger, I was emulating David Letterman. David Letterman would yell out of his office window with a megaphone, and the next thing I'm doing is standing on the roof of a parking garage with a megaphone.
The first time I had my dreams crushed was when I was scammed, and somebody stole all of my magic props. I was a teenager, and I had put all my money into that. I had literally wanted to be the next David Copperfield. And that was all taken away.
I always
enjoyed the feeling of being
onstage - the magic that comes.
When I hit the stage it’s like all
of a sudden a magic from
somewhere just comes and the spirit just hits you and you just
lose control of yourself.
I also learned to play Fruit Ninja on an iPad. It is quite hypnotic, and I hope one day to get past 100 points. I remembered that David Cameron admits to being an addict. I wonder if it helps him in his work. 'Great, just destroyed a pineapple! Reminds me, shall we send those grenades to the Syrian rebels?'
Coach Spurrier was just an amazing competitor. I felt I learned to really love the competition of it all from watching him and being around him. All his assistant coaches were great recruiters, very professional in how they handled their business. So as a young guy, I got to see that all the time.
No, sir, I'm not saying that charming, witty and warm copy won't sell. I'm just saying I've seen thousands of charming, witty campaigns that didn't sell.
I'm not saying that charming, witty and warm copy won't sell. I'm just saying I've seen thousands of charming, witty campaigns that didn't sell.
My goal is to be remembered as a human being and as a great performer.
Some people love being onstage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking onstage.
It's always been impressive to me when someone can really do what they want onstage. The audience has confidence in the performer and the performer has confidence in the crowd.
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