A Quote by Michael Connelly

People like the Bosch books because they like Harry Bosch, not because the plots are fantastic. — © Michael Connelly
People like the Bosch books because they like Harry Bosch, not because the plots are fantastic.
In 1995, I sold the rights to Harry Bosch to Paramount. They had several screenplays written, but a movie never happened. Harry Bosch went on the shelf, and I had to wait 15 years to get him back.
I chose deliberately for Harry Bosch to age chronologically with the books.
When I write about places in L.A. - like where the best taco truck is or something - it's not about L.A. To me, it's about Harry Bosch, because he's the guy that does these things and has this experience.
I think it's pretty apparent who my favorites are because I keep coming back to them. At the top of that list would be Harry Bosch, who's now going on 20 years of literary life. I still like him the best because there's still a lot to say about him.
There are nineteen Harry Bosch books, and someone told me if you add up the descriptions of Harry from all of them, it would come to less than three pages. He's very elliptically described over the two decades during which the novels occur. I did that by intention.
In terms of characters I wish I had created - just because I haven't dealt with anything like them - I'm really impressed by characters who can endure over time, whether that be a long series run like a Harry Bosch, or a character who endures over generations and continues to please readers: Sherlock Holmes.
If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there's always a narrative that is very nonlinear - and that's the essence of a good music video.
I was born in Den Bosch, where the painter Hieronymus Bosch named himself after. And so I've always been very fond of this painter who lived and worked in the 15th century.
When the International Trade Centre, the agency I head, works with German electronics giant Bosch to help Kenyan food processing companies boost their productivity and export competitiveness, we may well be creating future customers for Bosch washing machines.
I hate people thinking their city is unique, but there is a certain aura about Los Angeles; it's not necessarily a beautiful thing, but it's part of Harry Bosch.
As a former reporter, I wrote 'The Scarecrow' quickly - I didn't have to think about what the character would do the way I do with Harry Bosch.
My whole reputation and creative thought as a novelist is really wrapped around Harry Bosch, so he's near and dear.
'Bosch' itself - it has a huge fanbase already from the Michael Connelly books, so it was definitely intriguing because you know going in that there's all those people who will want to watch it, and I knew it was going to be a down-and-dirty, gritty, no-make-up part, so that was scary and yet so exciting.
I'd seen Titus Welliver in a few shows and felt he had some inner demons in his portrayals, as does Harry Bosch.
My entire career writing novels was wrapped up around Harry Bosch. This character was too important to me to just hand off.
Warhol was definitely an inspiration when I was younger. I wouldn't quantify his sort of influence. I've been influenced by nature and science, and I've been influenced by people like Ernst and Rauschenberg, Cornell and Bosch and Bruegel, by writers like Haruki Murakami to Pablo Neruda to Artaud.
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