A Quote by Michael Connelly

When you're a detective on the midnight shift, you don't have a specialty: you roll on any time they need a detective, whether it's big or small. — © Michael Connelly
When you're a detective on the midnight shift, you don't have a specialty: you roll on any time they need a detective, whether it's big or small.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
Mysteries include so many things: the noir novel, espionage novel, private eye novels, thrillers, police procedurals. But the pure detective story is where there's a detective and a criminal who's committed a murder and leaves clues for the detective and the careful reader to find.
I think the detective story is by far the best upholder of the democratic doctrine in literature. I mean, there couldn't have been detective stories until there were democracies, because the very foundation of the detective story is the thesis that if you're guilty you'll get it in the neck and if you're innocent you can't possibly be harmed. No matter who you are.
Mma Ramotswe had a detective agency in Africa, at the foot of Kgale Hill. These were its assets: a tiny white van, two desks, two chairs, a telephone, and an old typewriter. Then there was a teapot, in which Mma Ramotswe – the only lady private detective in Botswana – brewed redbush tea. And three mugs – one for herself, one for her secretary, and one for the client. What else does a detective agency really need? Detective agencies rely on human intuition and intelligence, both of which Mma Ramotswe had in abundance. No inventory would ever include those, of course.
What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can't attach more than secondary importance to it. The puzzle isn't so interesting to me as the behavior of the detective attacking it.
I spent a lot of time with a real detective, a lady detective inspector who was the only female detective inspector in the whole of East London. She and I hung out a lot. She showed me what she did and I spent time with her. So, [she was] a lot of the inspiration for the way I dressed and sometimes the dialogue in those interview scenes where we're cross examining and questioning the youths and trying to get a confession out of them.
Anyone can write a detective story about a detective who fails, for Pete's sake. That's pretty unambitious.
Love interest nearly always weakens a mystery because it introduces a type of suspense that is antagonistic to the detective's struggle to solve the problem. It stacks the cards, and in nine cases out of ten, it eliminates at least two useful suspects. The only effective love interest is that which creates a personal hazard for the detective - but which, at the same time, you instinctively feel to be a mere episode. A really good detective never gets married.
to keep believing in life, until you're sure of death, it's the way a detective should be." - Kogoro Mouri, Detective Conan
I think there's part of me that's longing to play a Sherlock Holmes or sort of a House character, like a real detective. Like a real, moody detective. Like a real, sarcastic, mentally ill detective. I think it would be really fun to do something like that.
In detective stories . . . I alternately identify myself with the murderer and the huntsman-detective, but . . . there are those to which this vicarious outlet is too mild.
I like to consider myself a detective, which is how I justify my obsession with my phone. By nature, since I was a kid, I've always wanted to be a detective, and any portal to information and investigating things I have ever been given access to, I have dived into. With my phone, unfortunately, I have immediate access to everything.
I've always wanted to play a detective. Always loved detective shows, right back to 'Columbo', 'The Rockford Files', 'Starsky & Hutch'.
I don’t think I would ever want to be a writer of detective stories - but I would like to be a detective and there is a large deal of detection in the short story.
The tradition, particularly in old-school British detective things, is everybody's in the drawing room or the library, and they're all gathered, and the detective walks around and tells them where they were that night, and you see the flashbacks.
The average detective story is probably no worse than the average novel, but you never see the average novel. It doesn't get published. The average -- or only slightly above average -- detective story does.... Whereas the good novel is not at all the same kind of book as the bad novel. It is about entirely different things. But the good detective story and the bad detective story are about exactly the same things, and they are about them in very much the same way.
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