A Quote by Michael Korda

I never met Peter O'Toole, but he one was of those rare actors whose success was defined by a single role. His incandescent performance in David Lean's 'Lawrence of Arabia' is one that nobody who saw it will ever forget.
I can't imagine David Lean justifying why he went to the desert to shoot 'Lawrence of Arabia.'
I think if ever I met Peter O'Toole, I'd faint.
I changed my major to English and I went off to Fort Collins. And within the first couple of weeks, I noticed that they were having auditions for a production in their theater department. They were going to stage Jean Anouilh's Becket, which was a film I loved, with Peter O'Toole and Richard Burton. So I went down and auditioned, and I got the role. I got the Peter O'Toole part. So here I was, a 19-year-old playing King Henry.
I will never forget the moment when Peter van Pels and I saw a group of selected men. Among those men was Peter's father. The men were marched away. Two hours later, a lorry came by, loaded with their clothing.
I don't like movies that are shot on green screen much, you know. I mean, I know that's the thing to do, and I know that it's getting. I'll put it this way; David Lean would probably kill himself, you know, again if he knew that people were watching Lawrence of Arabia on a telephone.
I think the actors in 'Greystoke' were amazing. They had a really good performance coach called Peter Elliott who's, of his time, one of the greatest simian performance coaches for actors.
[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape.
If he (Peter O'Toole) had been any prettier it would have been Florence of Arabia.
I hated Peter O'Toole. I wanted to kill that guy! When they said he was dead, I was happy. People said, 'Poor Peter O'Toole.' I was happy!
We are most blessed when we see ourselves as we are seen by [the Savior] and know ourselves as we are known by Him. In this world, we do not really grasp who we are until we know whose we are. The Lord says, 'I will not forget you. I have graven you on the palms of my hands' (see Isaiah 49:15-16). He will never forget us nor our real identity. [And, neither should we ever] forget whose we are. We are His.
I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.
Nobody has ever said to me that I was pretty, 'til I met Peter Beard.
There's nobody who loves being around actors working more than David Mamet, especially actors bringing his tremendous dialogue to life. I've never seen a movie director who was happier to be directing a movie than Dave.
I have Peter O'Toole's autograph on a first-edition copy of his autobiography that I acquired under false pretenses.
[May] understood people and she let them be whatever way they needed to be. She had faith in every single person she ever met, and this never failed her, for nobody ever disappointed May. Seems people knew she saw the very best of them, and they'd turn that side to her to give her a better look.
To be honest, I would like to have worked with Peter Sellers, because when people talk about classic British actors, you talk about Lawrence Olivier, and Peter Sellers was just in the most amazing films.
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