A Quote by Michael Lewis

Baseball has so much history and tradition. You can respect it, or you can exploit it for profit, but it's still being made all over the place, all the time. — © Michael Lewis
Baseball has so much history and tradition. You can respect it, or you can exploit it for profit, but it's still being made all over the place, all the time.
The history of [Mariano] Rivera is pretty unbelievable. And even if you're not a Yankee or a baseball fan, you have to appreciate the tradition. He gets respect from Boston fans and Phillies fans, and I love tradition.
The tradition of classical music and the opera is such that it used to be the place where social intercourse could take place between all parts of society: politicians, industrialists, artists, citizens, etc. That tradition, I think, still exists, but it's much, much more diluted.
And these [pharmaceutical] companies are still threatening to sue. And it's like, you know, do you not have a conscience? Do you not want the world to be a better place? You're still making a profit. How much more of a profit do you want to make?
I don’t know much about history, and I wouldn’t give a nickel for all the history in the world. It means nothing to me. History is more or less bunk. It's tradition. We don't want tradition. We want to live in the present and the only history that is worth a tinker's damn is the history we make today.
Major league baseball is about the history of the game. Baseball history is so important. It's so much more than money.
Baseball is better with tradition, with history. Baseball is better with fans who care.
[Judge and Jury] is outstanding. I have learned more about the history of baseball, true history, than from anything I have ever read or heard about. [It's] research and documentation clarifies so many of the personalities and events that took place before 'my time' in the game. Jacques Barzun's quote: 'Whoever would know the heart and mind of America had better learn baseball' should be supplanted by [this] biography of Landis.
I became a pedant of the form. I did my graduate work in art history and particularly in the history of French satirical cartooning. And that made me aware of what a rich and resilient tradition this seemingly scabrous sacrilegious magazine still represented in French life.
The value for me being in a mainline tradition is history and memory, which is not just Christian tradition but denominational tradition, and characters, you know, with real distinct flavors of ways to be Christian.
Of course, I believe that Mike Piazza is probably the greatest offensive catcher in the history of baseball, only got over 50%. Johnny Bench is the best catcher in the history of baseball, but Piazza has all the record for catchers as far as offensively.
I've been lucky because my films have consistently made a profit, almost all of them have made a profit. Never a huge profit, but nobody gets hurt. And therefore I get a lot of freedom.
The scientific world, the materialistic world, the world of commerce, the world of business, the world of individualism, the world of capitalism, world of communism - all these worlds are the old story now. Where we think we exploit nature, we exploit people. Market rules, profit rules, money rules. We work for name, fame, power, money, profit. That's the old story.
The big thing is, everybody says it's being in the right place at the right time. But it's more than that, it's being in the right place all the time. Because if I make 20 runs to the near post and each time I lose my defender, and 19 times the ball goes over my head or behind me - then one time I'm three yards out, the ball comes to the right place and I tap it in - then people say, right place, right time. And I was there *all* the time.
What is literary tradition? What is a classic? What is a canonical view of tradition? How are canons of accepted classics formed,and how are they unformed? I think that all these quite traditional questions can take one simplistic but still dialectical question as their summing up: do we choose tradition or does it choose us, and why is it necessary that a choosing take place, or a being chosen? What happens if one tries to write, or to teach, or to think, or even to read without the sense of a tradition? Why, nothing at all happens, just nothing.
I owe baseball all that I have and much of what I hope to have. Baseball made my entrance to the film industry immeasurably easier than I could have made it alone. To the greatest game in the world I shall be eternally in debt.
What I have absolutely no sympathy with is the legislator, the man who seeks, for his own profit, to exploit the weaknesses of those who are unable to help themselves and then to fasten some moral superscription upon it. This I loathe so much that I cannot conceivably explain how much it is.
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