A Quote by Michael Leunig
What makes an interview 'difficult'? Well, there are many reasons, but the end result is usually the same: The guest just doesn't seem comfortable answering the question.
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A guest is really good or bad because of the host or hostess who makes being a guest an easy or a difficult task.
We all know that men in moderate circumstances can have just as comfortable houses as the richest, just as comfortable clothing, just as good food. They can see just as fine paintings, just as marvelous statues, and they can hear just as good music. They can attend the same theaters and the same operas. They can enjoy the same sunshine, and above all, can love and be loved just as well as kings and millionaires.
It's the same questions we ask of our existence, and the answer is always the same. The mystery lies not in the question nor the answer, but in the asking and answering themselves, over and over again, and the end is engendered in the beginning.
If you're coming to do an interview with me, you should know about me. It's not that it's 'cos I'm Wizkid; I'd even hate it if you were coming to interview my friend and asked him the same question. You're here for an interview, so you should know who you're doing the interview with.
Whenever someone makes out a guest list, the people not on it become officially uninvited, and that makes them the enemies of the invited. Guest lists are just a way of choosing sides.
Actors are tough because they're not used to challenging questions - other than from paparazzi. And so you just ask one perfectly legitimate question, but one that they're not comfortable answering, and all of a sudden they look at you, and you're the paparazzi.
In London and New York, people just naturally seem to dress really well, and that makes me want to do the same. In Seoul, too; in L.A., I'm just like, 'Eh.'
Here's an example: someone says, "Master, please hand me the knife," and he hands them the knife, blade first. "Please give me the other end," he says. And the master replies, "What would you do with the other end?" This is answering an everyday matter in terms of the metaphysical. When the question is, "Master, what is the fundamental principle of Buddhism?" Then he replies, "There is enough breeze in this fan to keep me cool." That is answering the metaphysical in terms of the everyday, and that is, more or less, the principle zen works on. The mundane and the sacred are one and the same.
I know for my family, the only question that we will be answering is how many people are in our home. We won't be answering any information beyond that, because the Constitution doesn't require any information beyond that.
In the past, I had a knee-jerk approach to work, and it showed on screen. I was doing movies for the wrong reasons - trying to juggle dates, do too many guest appearances, take up projects under pressure or for emotional reasons.
Let's face it: a date is a job-interview, that lasts all night. The only difference between a date and a job interview is: not many job-interviews is there a chance you'll end up naked at the end of it.
Couldn't we end this interview with what I really want to say? That what the world really needs is a real feeling of kinship -- everybody: stars, laborers, Negroes, Jews, Arabs. We are all brothers. If we could end this article saying just that, we'd get down to what we should all be talking about. Please don't make me a joke. End the interview with what I believe.
I find it difficult to be comfortable with anything for the same reasons that anyone gets nervous about something - because they want it to be good and they don't want to let anyone down.
I think I'm in the best place I've ever been in so many ways. I've just come out of five years of very difficult times for numerous reasons and yet at the same time it's lead to such growth. It's very exciting that way.
I don't really compartmentalize well. I'm in a state of anxiety and panic a lot, but it's for different reasons. It used to be because I had nothing going on, but I work very hard and there doesn't seem to be an end to it.
Once we get them in the studio, you interview a person the same way you would interview another. You ask them a question. You let them answer. You try to listen closely and then ask a follow-up.
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