A Quote by Michael Muhney

I much prefer to watch actors and writers create "humanizing" moments for characters. In a drama, "humanizing" is far more impactful and powerful than "redeeming." — © Michael Muhney
I much prefer to watch actors and writers create "humanizing" moments for characters. In a drama, "humanizing" is far more impactful and powerful than "redeeming."
Humanizing good people is kind of boring and I don't really see the value in it... humanizing tricky characters is exhilarating, and making audience films out of indie subjects excites me.
Immigrant characters now are getting much more well-rounded, and they have personalities, which is important because we do need to portray immigrants in a humanizing way.
The really good stand up comedians can be angry but relatable, and they have interestingly humanizing personalities. Their observational skills are far greater than mine, so I'll just stick to reading lines off a page.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
The Penny Post will do more for the circulation of ideas, for the fostering of domestic affections, for the humanizing of the mass generally, than any other single measure that our national wit can devise.
In a sense, all actors are character actors, because we're all playing different characters. But a lot of the time - and I don't know, because I'm not a writer - but writers a lot of times write second- and third-tier characters better than they write primary characters. I guess they're more fun.
Actors are the most important. Performance is what matters. Nothing matters more than the actors; they have to perform. No one else can give life to the characters. Audiences must believe the characters as real and the moments as real.
I've run into more than anything is people who have a belief that they know who you are. Type-casting happens because people actually write you off. "You are in this box. That's all you are, that's everything you are." It's a very de-humanizing experience.
What I've run into more than anything is people who have a belief that they know who you are. Type-casting happens because people actually write you off. 'You are in this box. That's all you are; that's everything you are.' It's a very de-humanizing experience.
I'm a big believer in comedy writers. I've always defended the honor of all comedy writers. It's extremely difficult, but I've always felt that comedy writers far more easily can move toward drama than vice versa.
I think that I write much more naturally about characters in solitude than characters interacting with others. My natural inclination - and one that I've learned to push against - is to give primacy to a character's interior world. Over the three books that I've written, I've had to teach myself that not every feeling needs to be described and that often the most impactful writing more elegantly evokes those unnamed feelings through the way characters speak and behave.
I think that acting is a very humanizing profession.
It's just so humanizing to see someone be real.
Conversation is the most human and humanizing thing that we do.
My life project is humanizing technology: making technology more real and bringing it back into human interactions.
When people have points of reference that are humanizing, that demystifies difference.
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