A Quote by Michael O'Brien
There are indeed 'values' in the Harry Potter series, but they're confused with anti-values. Potterworld is a scrambled moral universe. There are Christian symbols in the series, but the author misappropriates them, mutates them, and integrates them into a supposedly larger and broader system where evil symbols are dominant.
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Art is not and never has been subordinate to moral values. Moral values are social values; aesthetic values are human values. Morality seeks to restrain the feelings; art seeks to define them by externalizing them, by giving them significant form. Morality has only one aim - the ideal good; art has quite another aim - the objective truth... art never changes.
Back in the late '90s, a writer named Daniel Handler decided that kids books were too cheerful. I mean, all the "Harry Potter" series did was occasionally kill off major characters. Thus was born "A Series Of Unfortunate Events" and its mysterious author, Lemony Snicket. "A Series Of Unfortunate Events" is now a great new series on Netflix.
Throughout human history, people have developed strong loyalties to traditions, rituals, and symbols. In the most effective organizations, they are not only respected but celebrated. It is no coincidence that the most highly admired corporations are also among the most profitable. Why? Because everyone involved is committed to certain non-negotiable core values. Traditions keep them alive. Rituals such as special occasions reaffirm them. Symbols serve as constant reminders of their enduring importance.
At the center of the Christian faith is the affirmation that there is a God in the universe who is the ground and essence of all reality. A Being of infinite love and boundless power, God is the creator, sustainer, and conserver of values....In contrast to the ethical relativism of [totalitarianism], Christianity sets forth a system of absolute moral values and affirms that God has placed within the very structure of this universe certain moral principles that are fixed and immutable.
It isn't up to the painter to define the symbols. Otherwise it would be better if he wrote them out in so many words! The public who look at the picture must interpret the symbols as they understand them.
It is this language of values which I hope to bring to my books. . . . I want to bring values to those who have not been valued, and I want to etch those values in terms of the ideal. Young people need ideals which identify them, and their lives, as central . . . guideposts which tell them what they can be, should be, and indeed are.
Some people, with a certain nostalgia, the worshippers and admirers of the colonial system, cherish and nurse its structures instead of smashing them. This is typical of a mentality in bondage to decadent values, negative values - counter-revolutionary values.
Raising your kids vegetarian is a great way to encourage them to do the opposite of what you want! But the goal is not to have them have the same values that I have. It's to have them act on their values.
CREATIVITY first of all aims to achieve a REVOLUTION OF VALUES THROUGH RELIGION, therefore it completely and categorically rejects the Judeo-Christian-democratic-Marxist-liberal-feminist values of today and supplants them with new and basic values of which RACE IS THE FOUNDATION.
The present dominant values (xenophilia, cosmopolitanism, narcissistic individualism, humanitarianism, bourgeois economism, hedonism, homophilia, permissivenes, etc.) are actually anti-values - values of devirilising weakness, since they deplete a civilization's vital energies and weaken its defensive or affirmative capacities.
I very much believe in values-based leadership, and that the values that I believe in and try to govern by are transcendent values. They have nothing to do with race or even with political parties. Secondly, I think nothing substitutes for the power of the grassroots by showing them the courtesy of going to them where they are and inviting them to take part in the political process.
When I found out that I'm playing Nagini, I thought it was meaningful because it's an important character in the 'Harry Potter' series. 'Harry Potter' is a franchise film with many Caucasian actors, so I thought many Korean viewers would be happy.
So Harry Potter came in and it is nice that I have kids of the right age. I took them to London and they walked around the set and met Harry Potter and that is thrilling.
I only discovered the 'Harry Potter' series in my tenth standard. I dived right into it, often reading non-stop through the day and night. It was the morning after one such readathon when I was to appear for a Chemistry exam. Spending my night with the third edition of Harry Potter didn't help much, and I fared poorly.
The twentieth-century artist who uses symbols is alienated because the system of symbols is a private one. After you have dealt with the symbols you are still private, you are still lonely, because you are not sure anyone will understand it except yourself. The ransom of privacy is that you are alone.
The man who has successfully solved the problem of his relations with the two worlds of data and symbols is a man who has no beliefs. With regard to the problems of practical life he entertains a series of working hypotheses, which serve his purposes, but are taken no more seriously than any other kind of tool or instrument. In other words, symbols should never be raised to the rank of dogmas, nor should any system be regarded as more than a provisional convenience.
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