A Quote by Michael Pena
My understanding, when I think of immigration, is like... you know, this country was built on immigrants: the German, the Polish, the Italian, the Jewish, the Russians, the Eastern Europeans. So, all these people came in, and I don't know who decided like, 'No, that's it! There's a cap on it! No more people.'
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Immigrants have always come into the country with low levels of education. Whether it's the Irish or Italian or Polish, here is the land of opportunity. It's where people come in at the bottom and build themselves up. To try to bring in people who have already made it is un-American.
We should never forget that Hollywood was built by Europeans, and the old Jewish boys from Eastern Europe.
Our nation is built upon a history of immigration, dating back to our first pioneers, the Pilgrims. For more than three centuries, we have welcomed generations of immigrants to our melting pot of hyphenated America: British-Americans; Italian-Americans; Irish-Americans; Jewish-Americans; Mexican-Americans; Chinese-Americans; Indian-Americans.
When I first came here, Italian food wasn't anything I recognized. I didn't know what Italian American food was; we never ate it at home. It was the food of immigrants who came here and made use of the ingredients they had.
At any level I'm not built with complacency. I think you see that in the way I play. The people that manage me know that, my teammates know that. I'm not built like that.
I think the Europeans are a lot more spontaneous, more artistic to some degree. But I don't think they have the technical talent we do here in the states. Here people have been trained much more specifically - they know exactly what they're doing. The Europeans are perhaps slower, but in the end damn near as good.
If the Jews had issues with the Polish people then why during the Warsaw Ghetto Uprising, did the Jewish underground hang two flags from the bunker - the Polish flag and the flag of the Jewish people? Why? They did it because they felt part of Polish society and that is how we view them as well.
I think that pop music in general sometimes like to keep things a bit more hidden, and, you know, you censor and you polish to make it fit more people or to not be too vulgar or make sure of, 'Can this really play on the radio?' And I like not doing that.
Oddly enough, most of the books written about the subject aren't very good because they just focus on the more hateful movies that they did very early, early on when they were trying to, you know, get Germany into the war, whether it be anti-Semitic movies like "Jud Suss," or "The Eternal Jew," or movies made against the Polish to help, you know, create sympathy for them to invade Poland. You know, there'd be movies where there would be some German girl living in Poland who's raped by the Polish or something.
Son, you can't go around painting yourself black, you hear?" "Why not, Papa?" "Because they'll take you away." "Why?" "Because you shouldn't want to be like black people or Jewish people or anyone who is...not us." "Who are Jewish people?" "You know my oldest customer, Mr. Kaufmann? Where we bought your shoes?" "Yes." "Well, he's Jewish." "I didn't know that. Do you have to pay to be Jewish? Do you need a license?" ..... "...you've got beautiful blond hair and big safe blue eyes. You should be happy with that; is that clear?
My family history, like that of many Polish, German and Jewish families from Central Europe in the 20th century, is complex.
People always ask about young people like me being forced into things. I play tennis because I love it. I think Russians might be tougher than other people. When I arrived in America I was young, but I already knew what I wanted. I think that when you start from nothing, when you come from nothing, it makes you hungry. I am proud of where I came from and I know what I want. I want to win.
I've noticed that girls between like 20 and 30 seem to know 'Can't Hardly Wait.' I got the goth kids who know 'Buffy.' I got this wide spectrum of people who range from like 8 to 13 who seem to know 'Scooby-Doo.' Then I get the international people who seem to know 'Austin Powers' and 'The Italian Job.'
I've noticed that girls between like 20 and 30 seem to know 'Can't Hardly Wait.' I got the goth kids who know 'Buffy.' I got this wide spectrum of people who range from like 8 to 13 who seem to know 'Scooby-Doo.' Then I get the international people who seem to know 'Austin Powers' and 'The Italian Job.
There is a bit of a movement as far as younger people in country music. That is cool because people are saying things like, 'I didn't listen to country music until so-and-so came along.' And I'm like, 'Yeah! Now you know why I love it.'
There is a bit of a movement as far as younger people in country music. That is cool because people are saying things like, 'I didn't listen to country music until so-and-so came along.' And I'm like, 'Yeah! Now you know why I love it.
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