A Quote by Michael Richards

There's a great deal of disturbance in this country and how black feel about what happened in Katrina, and, you know, many of the comics, many of performers are in Las Vegas and New Orleans trying to raise money for what happened there.
There's a great deal of disturbance in this country and how black feel about what happened in Katrina, and, you know, many of the comics, many of performers are in Las Vegas and New Orleans trying to raise money for what happened there
Everything changed after Katrina. It's a new New Orleans now and I think it's better. It was a wake-up call and it rebuilt and cleaned up the city. It all happened for a reason. I'm now grateful for Katrina.
I think the best thing that happened to the education system in New Orleans was Hurricane Katrina.
There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
All of us who lived outside of New Orleans were horrified and heartbroken by what we saw when Katrina hit, the floods that followed the hurricane that happened.
When I look around, I see so many incredible Black performers, inside and outside of our company. It feels like a really great time for Black wrestlers, and there are so many Black wrestling fans that I feel are starting to see themselves on screen.
Here I come to one of the memoir writer's difficulties -- one of the reasons why, though I read so many, so many are failures. They leave out the person to whom things happened. The reason is that it is so difficult to describe any human being. So they say: 'This is what happened'; but they do not say what the person was like to whom it happened. And the events mean very little unless we know first to whom they happened.
Many a man who goes to Las Vegas to get away from it all soon finds that Las Vegas gets it all away from him.
Guests love to be 'wowed' in Las Vegas. They enjoy and embrace new tastes, new flavors, and they come to expect the unexpected in Las Vegas.
The nice thing about the Bible is it doesn't give you too many facts. Two an a half lines and it tells you the whole story and that leaves you a great deal of freedom to elaborate on how it might have happened.
I'm one of the few reading and thinking people who loves Las Vegas for the vulgarity and omnipresence of the dream. The collective dream. There's something enormous about it. Let me say one thing: Las Vegas and cinema have similar roots. The country fair. The magician at the country fair. The vulgarity of the country fair.
I don't know what happened to architecture [in Las-Vegas] I think they're getting us ready for space colonies or something, nobody puts a window in that you can crack.
Sure, we loaned money to build hotels and casinos in Las Vegas. So what? Las Vegas borrowers were good customers.
I go to Las Vegas--or at least I went to Las Vegas--because even though I knew everything that was sinister, calculating, and evil about it, I loved Las Vegas. Only in Vegas could I dare to fantasize that I was a Friend of Frank. Or that I was throwing the dice at Dino's favorite table. Or that I might luck out and sip bourbon with Rickles after his last lounge show. The D.I. oozed that kind of heady fantasy.
I love Atlanta. It's a great city with great crews there, but it's really hard to make it into a Las Vegas version of it because it doesn't look at all like Las Vegas.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
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