A Quote by Michael Robotham
I'm very critical of crime novels that use gratuitous violence to shock readers when it isn't necessary. If that's all you have to offer as a writer, perhaps you're in the wrong job.
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And if I'm guilty of having gratuitous sex, then I'm also guilty of having gratuitous violence, and gratuitous feasting, and gratuitous description of clothes, and gratuitous heraldry, because very little of this is necessary to advance the plot. But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes.
I respond very well to rules. If there are certain parameters it's much easier to do something really good. Especially when readers know what those are. They know what to expect and then you have to wrong-foot them. That is the trick of crime fiction. And readers come to crime and graphic novels wanting to be entertained, or disgusted.
Every time I do anything, I have to ask myself: Is it a good role, and is it right to do it? There may be sex or nudity or violence in the script, and then you have to say: Is it gratuitous just out to shock people? Or is it there because it has to be? If a role demands it, and it isn't gratuitous, I'll do it. It's my job, after all. I'm an actress.
Violence is inevitable in crime novels, but there are many different ways to tell a story. I use my characters' reactions to illustrate the worst moments rather than let readers witness them at first hand.
I hated Shallow Grave, that movie made me angry. And I hated Happiness. I generally hate movies that use extreme violence or gratuitous shock value in place of having a heart. For example: movies that combine extremely sadistic violence with humor I find offensive.
I'm very bad at violence in real life. I can't stand it. And I'm so fed up with crime novels that have too much violence. I can't really do it. It's unnecessary.
I say violence is necessary. Violence is a part of America's culture. It is as American as cherry pie. Americans taught the black people to be violent. We will use that violence to rid ourselves of oppression if necessary. We will be free, by any means necessary.
A lot of novels use crime as a stepping stone to talk about greater issues. So I just think of myself as a writer.
If you ask people if they enjoy crime novels, they'll say, 'Oh, my guilty pleasure is...' then name a really brilliant crime writer.
I was speaking to a writer the other day and he gave me a valuable piece of advice. He said that you may get to where you want to go quicker through violence, but the healing process takes longer. Whereas if you don't use violence, there is not much healing necessary, so you win in the long run.
My coverage of Antifa has been critical: not just critical of the hooliganism and the street violence because violence, of course, is easy to condemn. I am critical of the underlying ideology as well.
Now you mustn't think that I don't have any ideas for novels in my head. I've got ideas for ten novels in my head. But with every idea I have, I already foresee the wrong novels I would write, because I also have critical ideas in my head; I've got a full theory of the perfect novel, and that's what stumps me.
The community does not fight crime well by chasing it; after-the-fact, crime has won and the target of violence is injured or worse. Crime is fought best not by chasing it, but by facing it before it can become a completed act.
Crime is fought best at the scene of the violence.
Writing 'Book 1: The Maze of Bones' didn't feel much different than writing one of my other novels, but I thought it was very innovative to offer the website and trading card components as well for those readers who wanted to go more in depth with the Cahill experience.
television and radio violence was considered by most experts of minimal importance as a contributory cause of youthful killing. ... there were always enough experts to assure the public that crime and violence had nothing to do with crime and violence.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
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