A Quote by Michael Seresin
The machinery of filmmaking is really slow and ponderous and I don't know how you're going to make it any faster with any of the systems, whether it's Red, Sony, or whatever.
Related Quotes
Without ethics, everything happens as if we were all five billion passengers on a big machinery and nobody is driving the machinery. And it's going faster and faster, but we don't know where.
If you take a look at education, the kids that get good grades are said to humiliate those who don't. And what, then, do we do? Slow them down. We put obstacles in their way. We do not devise public education systems that are designed to deal with their superior learning ability. We retard it so that they don't learn any more, any faster than the lowest common denominator - and that really is the nub of it. The Democrats' equality and sameness is all going to be defined by the lowest common denominator.
Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that by trying. It's like teaching a child to walk. It may start by walking, but eventually it will fall. And I have kids, but I know that that will enable them to stand up again and understand why they fell, and how they can avoid that. They will walk better and faster, and stronger. Filmmaking is the same.
The last album, 'Falling Faster Than You Can Run.' I was really proud of, but then I didn't actually know whether it was going to come out on any label at all. So I didn't know if anyone was going to hear it. Then of course we ended up doing another EP after that called 'Closer.'
Ask any Mexican, any Puerto Rican, any black man, any poor person - ask the wretched how they fare in the halls of justice, and then you will know, not whether or not the country is just, but whether or not it has any love for justice, or any concept of it. It is certain, in any case, that ignorance, allied with power, is the most ferocious enemy justice can have.
I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid. I think you see that nowadays, in this postmodern context, there's much more use of different mediums in contemporary art. For me, if you're a creative person, you can choose to make a painting, you can choose to make a film.
I give complete respect to any couple that stays together, however they do it, whether they do it by going on red carpets or going hiking together, you know, or keeping themselves really quiet and trying to stay out of all that press stuff.
The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.
I really wanna make hip-hop music, but I don't know how to use any of the tools. Electronic, computer skills, I don't have those for engineering or making beats. I don't know how to use a sampler well. I don't know how to use any of these things.
When I'm on purpose - when I'm allowing Source to come through - it's always there. At those times, I'm not focused on any ego sense about how much I'm going to make, how well a book is going to do, whether people are going to buy it, or any of that. I just go to a state of awe and gratitude - I'm deeply, profoundly grateful - and it just works. The first words out of my mouth every morning are "I thank you."
I can see it, hear it, feel it, taste it - but I can never be on the inside of it with you. I cannot even be sure whether I really know what it is like. Is it 'like' my own? Or incomparable? Just as I can never know if what you see at any given moment is exactly the same as what I see. We look at a colour. We both call it red. But it is only because we have been taught to call it by that name. There is no guarantee - not ever - that we see it in the same way, that your red is my red.
If any of those times you rushed around madly - trying to get somewhere faster - had ever made any real difference in the quality of your life... don't you think you'd be able to slow down by now?
It's how you make decisions that matters, and that ought to be the question that people ask of any candidate for any executive office, whether it's mayor, governor or president. How do you make decisions? Who do you want in the room helping you make those decisions?
Everybody, whether or not he puts the question vocally, wants to know whether life has any meaning, what his relation is to 'whatever gods there be,' why he is here, what his destiny is, how sin and pain may be overcome, whether prayer matters, what lies beyond death for himself and his loved ones.
I never listen to any of my music after it comes out, unless I hear it in a cafe or whatever. I'll think, "I forgot how it was so slow or how minimal it felt compared to how it's become live," because you start having a relationship to the songs live. After an album is finished, I really let go.
So how critics will perceive your film or your work, or whether your movie is going to make $100 million at the box office, or whether you are going to be winning any awards - well, you have no control over that.
Related Authors
Babette Mangolte Quotes
French
Cinematographer
Christopher Doyle Quotes
Australian
Cinematographer
Dror Moreh Quotes
Israeli
Cinematographer
Gordon Willis Quotes
American
Cinematographer
Janusz Kaminski Quotes
Polish
Cinematographer
Jon Shenk Quotes
American
Cinematographer
Maryse Alberti Quotes
French
Cinematographer
Phil Abraham Quotes
American
Cinematographer
Russell Boyd Quotes
Australian
Cinematographer
Sven Nykvist Quotes
Swedish
Cinematographer
Vilmos Zsigmond Quotes
American
Cinematographer
Wally Pfister Quotes
American
Cinematographer