A Quote by Michael Stipe

I was vulnerable every day. Every night that I stepped on stage I was laying myself open. — © Michael Stipe
I was vulnerable every day. Every night that I stepped on stage I was laying myself open.
With stage, it's very tough. You have to have a lot of stamina - you're doing eight shows a week for 19 weeks. The same thing, every night. Twice a day some days. The only full day I actually had off was Sunday. And every night is different.
I'm the biggest Westbrook fan, I think, there is. You know what I mean? Because he reminds me so much of myself as far as his heart and laying it on the line night in and night out. Just a guy that's going to bring it every single night.
I took care of myself. Basically I'm a vegetarian, I run every day, I exercise. I kind of control my living habits. I try to get a good night's sleep every night, I don't stay up all night and do all that stuff.
I feel vulnerable every day to the grace of God as expressed in every living thing. I feel vulnerable to the astonishing beauty of being alive and to Mother Nature. I feel positive when I feel vulnerable, because it's another reminder that it's not all about me and about my ego. And I actually think it's courageous to be vulnerable, and it's not something to be avoided.
How do I define who Usher is? I'm still doing it - every day, every new opportunity, every stage, every interview, every other thing that I've done, every time that I've invested in anything that is all the definition of who I am.
Every breath you take and every move you make Every bond you break, every step you take I'll be watchin' you Every single day and every word you say Every game you play, every night you stay I'll be watchin' you
I survived on sandwiches, and I was on stage every night for six years of my life. I was working 16 hours a day between class, rehearsal, being on stage.
Most poor people are not on welfare. . . I know they work. I'm a witness. They catch the early bus. They work every day. They raise other people's children. They work every day. They clean the streets. They work every day. They drive vans with cabs. They work every day. They change beds you slept in these hotels last night and can't get a union contract. They work every day . . .
Theater is such its own living, breathing animal. You do a show every night, but it's different every night. Being on stage, you're experiencing a journey.
My mentor, [Ingmar] Bergman, when we worked on stage, he said you can't convince a thousand people at the big stage where we were working. You can't convince everybody, but just pick one every night that you perform for and make sure that he or she will have an experience that alters their life in a more positive way. So, just one every night. That's worth all the struggle and screaming.
Faith, the least exclusive club on Earth, has the craftiest doorman. Every time I've stepped through its wide-open doorway, I find myself stepping out on the street again.
I learned to love myself, because I sleep with myself every night and I wake up with myself every morning, and if I don't like myself, there's no reason to even live the life.
Greet every morning with open arms and say thanks every night with a full heart. Each day is a precious gift to be savored and used, not left unopened and hoarded for a future that may never come.
Every night before bed, I drop down to the floor and do 20 sit-ups, 5 push-ups and stretching. No matter what the day has been like, I drop and give myself 20 every single night.
And when I perform on my own tour, I have to talk myself into going out on that stage every single night.
Even now, at 82 years old, if I don't learn something every day, you know what I think? It's a day lost. Now, I don't practice every day. I just take the guitar, swear at it. But I should be swearing at myself. But I fool with music. I'm doing something musically all the time. And my ears are wide open for anything I can hear.
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