A Quote by Michael Sandel
When I arrived at Harvard, I wanted to design a course in political theory that would have interested me, back when I was started out, in a way that the standard things didn't.
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If there is a well thought-out design standard, it should be followed. In practice, great design comes from great designers. That is empirically the case. If a great designer did a first-rate standard, that model should be followed. Great design is not democratic; it comes from great designers. If the standard is lousy, then develop another standard.
The way I define 'intelligent design' is that when people started out, we wanted to make sense of the world we lived in, so we created stories about how things worked.
I'm going to do some consulting for nonprofits and arts agencies. These are areas I'm interested in that didn't come directly out of Harvard, but certainly I started looking at things in a different manner.
When I first started out, there were times I would dress or act in a way because I thought it was expected of me or that people would take me more seriously. But once I started leading in a way that was authentically me, that is when I really started to see success.
I learned music from a book on piano theory. I was only interested in knowing about chords. From that, and from the 'Harvard Dictionary of Music,' I learned everything I wanted to know.
The standard theory may survive as a part of the ultimate theory, or it may turn out to be fundamentally wrong. In either case, it will have been an important way-station, and the next theory will have to be better.
I started to begin to be interested in architecture and design when I was 14 years old, which was pretty early in life. And then I would start to look at architectural magazines and I eventually went to the school of architecture too, but one of the things I learned very early is that an architect should be able to design anything from a spoon to the city.
I had a lot of older musicians looking out for me, teaching me, and showing me things when they saw how interested I was in music from a young age. They would take me to the side and just play some things in my ear, and I would try to play it back to them.
At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.
I started getting tattoos, and the hair would grow back out and grow over a nice piece of artwork that I really wanted to show, and it just became one of those things. I can't stand the hair on my body. I just wanted it gone. It's just a better feeling for me.
We started Yahoo in about April 1994. It started out as a way for us to keep track of things that we were interested in.
Just read the farm relief bill. It's just a political version of Einstein's last theory. If a farmer could understand it, he certainly would know more than to farm. He would be a professor at Harvard.
Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.
I wanted to make a site where I wasn't mailing physical things to people, but I was still giving people things, and I would have this relationship with that person, and if that person was interested in the object, they would have to email me and I would send that object digitally to them. So, I wanted the relationship with that person, however brief, and I wanted to spread the digital record of the things I have.
Investment banks started recruiting at Harvard back in the day, and they'd fly me down to New York City and I was so poor so I would take advantage of the free flight, the per diem, the hotel. And then I would go audition for stuff.
I wanted a real profession. And I'd always been interested in architecture and in design and in, really, what makes things work. And understanding what's kind of behind the walls and why things stand up and some things don't.
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