A Quote by Michiel Huisman

You never just do a scene once; you do it an insane amount of times. — © Michiel Huisman
You never just do a scene once; you do it an insane amount of times.
I'm always repeating myself. You never just do a scene once, you do it an insane amount of times.
Once I talked to the inmates of an insane asylum in Hartford. I have talked to idiots a thousand times, but only once to the insane.
The talented actor needs craft. When you do a stage play, you do it once each night in chronological order. In a film you're going to wind up doing a scene 15-20 times, just by the nature of the process. If I tell you a joke once, it's funny. The more times I tell, the less funny it is. How do you get to the point where you can laugh again? You also may have to cry again and again.
Sometimes the scene just comes together, and other times, we have to build the scene from scratch, just using different takes.
I've never done a lead role in a film this big [like Doctor Strange], in a franchise this big. One of the reasons was, I wanted to know what the toy box was like. And it's just insane, the amount of facility that everyone gets, but the amount of artistry and craft that's brought to every aspect of filmmaking. I mean, you go to your first costume fitting and it's one of thirty. It's a myriad, but it's for a reason. There are so many incredible costumes in this.
The amount of competition is just literally insane.
Every scene in 'Ganga Jamuna' has been spellbinding for me. I can see the film any number of times and still not be able to pinpoint a scene and say 'This is the best scene!' Every scene is perfect.
You know, sexism in the punk scene - or just in rock and roll in general - is so easily demonstrated by the amount of women or queer people that you see on stage versus the amount of cis males that you see on stage.
When people talk about cash being king, it's not king if it just sits there and never does anything. There are times when cash buys more than other times, and this is one of the other times when it buys a fair amount more, so we use it.
We want to use cash. The reason we haven't used our cash two years ago, we just didn't find things that were that attractive. But when people talk about cash being king, it's not king if it just sits there and never does anything. There are times when cash buys more than other times, and this is one of the other times when it buys a fair amount more, so we use it.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
Some directors don't say much. Michael Mann, for example. I remember on 'The Insider' he never had much to say. He would do a scene, just kind of nod, and then set it up to do it again. And you might do a scene 10 or 12 times or more, the same little 31-second bit. And you could tell he wasn't satisfied, but he wouldn't say much.
As actors we always say that once the person in a scene gets what they want, the scene is over. It's resolved. But life is never resolved - you're always in the process.
So here I was in the middle of the AI world-not just hanging out there but totally dependent on the people if I expected to have a job once I graduated-and yet, day by day, AI started to seem insane. This is also what I do: I get myself trapped inside of things that seem insane.
The only thing that I always do - is once I've taken on a job, even just to do one scene in a movie, I ask myself, "What's happened the moment the kid was born, until page one of the script?" To answer that simple question, I have an infinite amount of work to do. And I enjoy that part as much as I enjoy any part of making movies.
Just going through a marriage and a divorce - which I essentially did by 21 - will give you an insane amount of perspective on life.
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