A Quote by Miles Davis
In other words, an instrument should be an extension of you; it's supposed to sound like you - the way you walk, the way you dress, you know.
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If I grew up, you know, in the ghetto, like, and I wasn't taught any other way to talk or a way to act or other food to eat or just like anything like that, like, when I'm I supposed to do? You know, like, is there a class I'm supposed to take to learn how to be white, you know?
My idea was you can't dress for the stage, you have to dress all the time like you're onstage. And so I would just always wear suits or some form of it. I wanted people to know I played music. That was kind of how you would find other people: you would just walk around looking a certain way and end up meeting someone who liked the way you look.
I've spent a lot of time self-reflecting. Especially as an actor, you have to know yourself really well in order to do things effectively. And when I dress, I dress for me. I don't dress to make other people think that I'm this way or that way.
In a certain way, it's the sound of the words, the inflection and the way the song is sung and the way it fits the melody and the way the syllables are on the tongue that has as much of the meaning as the actual, literal words.
The best way for me to teach myself an instrument is to just jam on it, and sound awful sometimes, and sound great other times.
I don't know if it's possible to affect my ego any more. There's no room left. For me, I think I make music like the way I think it should be made, like what rock should sound like. It has nothing to do with the current marketplace. And so from that state of mind, it's gonna sound different from anything else out there. And when something sounds different, I think that can be inspiring to other musicians.
Harlem is a stage. It's like its own planet, from the way we dress to the swag in the way we walk and talk.
There's just certain styles of playing that you do play in your own way. Maybe it's in the way your fingers bend, for all I know. And so whenever you pick up the guitar it's not so much the sound of the instrument itself, it's like the ting that you add onto it-the attitude.
I am a perfectionist. This job is a total ego thing in a way. To be a designer and say, 'This is the way they should dress; this is the way their homes should look; this is the way the world should be.' But then, that's the goal: world domination through style.
Grime is its own sound. There's a lot more to it. It's like a sound, culture, style - the way that they dress and speak.
The main thing is the ability to control your instrument, which, in the actor, is yourself. Look the way you want the character to look. Sound the way you want the character to sound. Once you've trained the instrument to do what you want, you're in control, and you're free.
I think, when you're a young composer, you're told constantly that what you're supposed to do is figure out what your voice is. "What is your thing supposed to sound like?" You know: "What's the thing you do," that everyone can recognizably tell from a long distance is you and then you're supposed to be in search of that marker and you're supposed to find it and you're supposed to live there for the rest of your life. And it seemed to me, from a young age, that was what I was encouraged to do. You find a sound and that's your sound! That's what you do.
Like, you can't tell a certain race, like, 'You're supposed to act this way, and you're not supposed to act this way because of what color you are,' like, that's just holding everybody back, you know what I'm saying?
Words are a pretty blunt instrument. There's always going to be slippage between the words and the infinite complexities of a thought. As a writer, I find that frustrating, but as a social animal, I wouldn't have it any other way.
I have people who say, 'You should dress up like this, or you should dress more modest; you should cover up more.' And then, at the other end of the spectrum, you have, like, 'Why are you still wearing your scarf? You're in America, you know.'
Do you know that if you take the books in an average school library and stretched out all those words into a single line, the line would go all the way around the world? Actually, I made that up, but doesn't it sound like it should be true?
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