A Quote by Mackenzie Astin

I still have not given up the idea of becoming a journalist, but at 17 I decided to follow my heart and stay in Los Angeles with my girlfriend as opposed to going to Johns Hopkins.
I love London and Los Angeles equally. I was born and brought up London and then I went to Los Angeles as a teenager to stay with my sister Joan. So I feel I belong to both.
First, let me just say that I flew in from Los Angeles last evening. And the plane was absolutely filled with women who were coming from the Greater Los Angeles area to be here. And it wasn't that they were necessarily organized in some particular group. Individual women that I talked to - I said, well, who are you with? They said I'm not with anybody. I just decided I couldn't stay home. I just got up, and I came [to the Women's March].
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
One of the interesting things about Los Angeles is that it's still supplying the whole of the world with its dreams through movies and songs and TV - often of an all-American family at the same time as the real Los Angeles is peopled by souls from Vietnam, Guatemala, and Korea who look nothing like the images being beamed out. I think all that is going to have to change and illusion is going to have to catch up with reality in that regard.
I had no idea that 'Less Than Zero' was going to be read by anyone outside of Los Angeles, and it's - believe me, as the writer of the book I'm somewhat amused and intrigued by the idea that 25 years later it's still out and people are still reading it.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
After working as a journalist I went to a writing program at Johns Hopkins. It was interesting because it was neither journalistic nor historical, but it emphasized writing style, and afterwards I was asked to write my first book.
In Los Angeles, it's always nice out. In New York, it can be nice out or horrifying. You really have no idea what you're going to get on any given day.
Especially growing up in Los Angeles, there's just a very different mind-set than my own. There's no 'Romeo and Juliet' in Los Angeles. There's 'Laguna Beach.'
Instead of doing what everybody else does and sue the city of Los Angeles, I decided I was going to run for mayor.
I had come from Los Angeles - I had been there a partner of Gruen Associates, a large Los Angeles firm - and when the possibility of becoming a dean at Yale came, it was a very appropriate moment in my life. I was interested in a number of issues that I could not pursue while in a firm like Gruen's.
Once every hundred years, the Los Angeles smog rolls away for a single night, leaving the air as clean as interstellar space. That way the gods can see if Los Angeles is still there. If it is, they roll the smog back so they won't have to look at it.
I moved to Los Angeles when I was 17. I had just booked 'Alvin and the Chipmunks: The Squeakwell.' I thought, 'Well, I'm just going to move to L.A. and become famous. 'Squeakwell' is going to launch me to that point.' Well, I didn't end up working for, like, three years afterward. That's kind of the name of the game.
When its 100 degrees in New York, it's 72 in Los Angeles. When its 30 degrees in New York, in Los Angeles it's still 72. However, there are 6 million interesting people in New York, and only 72 in Los Angeles.
Being a doctor at Johns Hopkins does not make me any better in God's sight than the individual who has not had the opportunity to gain such an education but who still works hard.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
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