A Quote by Max Jacob

Cubism is ... a picture for its own sake.
Literary Cubism does the same thing in literature, using reality merely as a means and not as an end. — © Max Jacob
Cubism is ... a picture for its own sake. Literary Cubism does the same thing in literature, using reality merely as a means and not as an end.
When we discovered cubism, we did not have the aim of discovering cubism. We only wanted to express what was in us.
As a movement Cubism had consistently stopped short of complete abstraction. Heretics such as Delaunay had painted pure abstractions but in so doing had deserted Cubism.
Cubism did not accept the logical consequences of its own discoveries; it was not developing abstraction towards its own goal, the expression of pure reality.
When cubism began to take a social form, Metzinger was especially talked about. He explained cubism, while Picasso never explained anything. It took a few years to see that not talking was better than talking too much.
Cubism is the art of depicting new wholes with formal elements borrowed not only from the reality of vision, but from that of conception.
Cubism is not a reality you can take in your hand. It's more like a perfume, in front of you, behind you, to the sides, the scent is everywhere but you don’t quite know where it comes from.
The most important thing... was to change their spirit; and since at that time I felt that literature was the best means to this end, I decided to promote literary movement.
The fact that for a long time Cubism has not been understood and that even today there are people who cannot see anything in it means nothing. I do not read English, an English book is a blank book to me. This does not mean that the English language does not exist. Why should I blame anyone but myself if I cannot understand what I know nothing about?" -Pablo Picasso.
Literary theory has become a parody of science, generating its own arcane jargon. In the process, tragically, it discourages love of literature for its own sake.
Every so often, a painter has to destroy painting. Cezanne did it, Picasso did it with Cubism. Then Pollock did it. He busted our idea of a picture all to hell. Then there could be new paintings again.
Cubism came about because, in the process of analyzing form, something that lay in the form, a plane, could be lifted out to float on its own.
Maybe Cubism started this way. Memory re-arranging a face.
Cubism ('multi-locationalism') is one of the painterly forms of acoustic space.
There has been 32 isms since the advent of cubism, yet after all there are essentially the same two old strings, the Romantic and the Classical. We've just be confused by the storm. Science and psychology have played a great part to say nothing of sex.
I happen to like Precisionism. It talks to me because I collect Cubism.
Act in such a way that you treat humanity, whether in your own person or in the person of any other, never merely as a means to an end, but always at the same time as an end.
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