A Quote by Max Lucado

All I know is that the stable is empty, and the horse is gone. The rest I don't know. Whether [in the future] it be a curse or a blessing, I can't say. All we can see is a fragment. Who can say what will come next [and what is good or bad in the long run]?
Could there be a cowgirl in my future? You know, I never know what character is going to come and tap me on the shoulder and say, 'Hey, tell my story.' So maybe the next one will have boots.
Yes, I know," "And I love to hear you say it, Louis. I need to hear you say it. I don't think anyone will ever say it quite like you do. Come on, say it again. I'm a perfect devil. Tell me how bad I am. It makes me feel so good!
It is yet to be decided whether the Revolution must ultimately be considered as a blessing or a curse: a blessing or a curse, not to the present age alone, for with our fate will the destiny of unborn millions be involved.
A horse, you know, they can't say, 'Hi? How are you? I'm so-and-so,' you know? So they communicate through typically smelling or, you know, just body language. And when a horse approaches another horse, the first thing they do is they smell noses.
Man can only be certain about the present moment. But is that quite true either? Can he really know the present? Is he in a position to make any judgment about it? Certainly not. For how can a person with no knowledge of the future understand the meaning of the present? If we do not know what future the present is leading us toward, how can we say whether this present is good or bad, whether it deserves our concurrence, or our suspicion, or our hatred?
I'll meet a guy now, and the next thing I know they'll be sweating and their hands will be shaking. And I feel so bad - I don't even know what to say to them. Then there are other guys who come on too strong, and they're just all over you. The nice ones are the ones who are in-between - the ones who aren't scared and who aren't all over you.
I'm not one for being too profound, but I will say this. If you wanna have a good time, if you wanna drink a little bit y'know get your sing-a-long on, come and see the Dropkick Murphys and have a good time.
You know, where have you - what have you been doing? You know, and you find yourself sitting next to Jesus, and he's rather an agreeable man. And you have an opportunity to say, so what went down then, you know, that night? And it's supposed to be like him just sort of telling you very conversationally. That was the idea I had. Whether it - whether it comes - came off or not, I don't know.
A word, and all the infinite fluctuations it may possess. Like that moment when you know you have something to say, and you know you're speaking, even, but you still have no idea how you will say it. Or the moment when, as a reader, you're reading, and you are understanding what you are reading, but still have utterly no idea what will come next for you, what precisely the author wants to say. For me, that is the ultimate level of literary depth, of literary density.
[When anything happens, we interpret it as good or bad, but...] We do not know what is really good or bad fortune. [Only the future can decide. For example, what appears to be bad today may in fact lead us to a greater good tomorrow and by the very act of thinking and planning in that positive way, we can help make that good future come true.]
Is it possible for the rose to say, "I will give my fragrance to the good people who smell me, but I will withhold it from the bad?" Or is it possible for the lamp to say, "I will give my light to the good people in this room, but I will withhold it from the evil people"? Or can a tree say, "I'll give my shade to the good people who rest under me, but I will withhold it from the bad"? These are images of what love is about.
We do not know enough about how the present will lead into the future. We shall never be able to say, "Ha! My perception, my accounting for that series, will indeed cover its next and future components," or "Next time I meet with these phenomena, I shall be able to predict their total course."
I don't make that decision [what next book will be] until I've read enough to know that I've got something different to say and I know how to say it.
Impossible, I realize, to enter another’s solitude. If it is true that we can ever come to know another human being, even to a small degree, it is only to the extent that he is willing to make himself known. A man will say: I am cold. Or else he will say nothing, and we will see him shivering. Either way, we will know that he is cold. But what of the man who says nothing and does not shiver? Where all is intractable, here all is hermetic and evasive, one can do no more than observe. But whether one can make sense of what he observes is another matter entirely
Let me say first that reading is my favorite pastime, bar none. If I couldn't read, I don't know what I'd do. But as a writer, it's both a blessing and a curse. You absorb technique as you go along.
All has gone to rest, and I don't know whether I'm alive or will live or whether I'm rushing like this through the world for I'm not longer weeping or laughing
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