A Quote by Max von Sydow
The offers I get are for grandfathers, uncles - and they often die very quickly in the script.
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I think it's very rare, as an actor, that you get to a script, or an idea of a script, and you go, "Oh, I just have to do that!" It fell into place very quickly.
I don't usually get to play fathers or grandfathers or uncles. Now that I'm older, maybe I can play people closer to myself. I'd like that.
I'm in a place in my life where I get offered parts that I didn't get offered before - fathers and uncles and grandfathers and so on. And it took me a long time to get to that place, but I'm glad because it opens up new territory.
Both my grandfathers were in the Navy, and I have cousins and uncles in the military, so it's something that I've always respected.
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
Before me, my grandfathers, my uncles and my father were all boxers because Native Americans had to box in boarding schools. But in my time, when I grew up in Lawton Oklahoma, we didn't have boxing. I was a wrestler.
Usually, I read the script very often. I think that everything is hiding in the script.
When you're tied to one show, you are very much at the mercy of the writers, so you can suddenly get a script where you have a heart attack and die.
To this day, I get rewrite offers where they say: 'We feel this script needs work with character, dialogue, plot and tone,' and when you ask what's left, they say: 'Well, the typing is very good.'
Our family was like no one else's. My schoolfriends had fathers and grandfathers and uncles who did things, but in my family, women had been the doers.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
To get a job as a blackjack dealer, you have to be able to count very quickly. Obviously, you need to do at least math, adding up to 21 very quickly.
A lot of documentaries have been made very quickly, but I think they're like frogs in an ecosystem: They're harbingers. Film is always two or three years behind, because it takes so long to write a script, get financing, and get it made. It just takes a while. But I think it's coming. It has to.
I pray I die before they day comes when I do not know if my sons are infants or grandfathers.
When you're starting out as an actor people are very interested in who you are because they want to know where they can put you. And quite often, and we're all guilty of this is our lives, we judge very quickly and we pigeon-hole people very quickly based on how they look and how they talk and how they dress and we think: "Oh yeah, we know who you are."
I end up improvising in almost everything to some degree, 'cause it's often necessary on movies. The script is one thing, and it's this kind of theory of what you're going to do, and then you get there on the day and you realize, "Oh, the script is not appropriate to this room, the door's over here."
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