A Quote by Max von Sydow

I actually know the moment I became known. It was at the Cannes Film Festival, when they showed 'The Virgin Spring.' I walked into that theater as one person, and I walked out as another.
I've walked out of films. But for every film I've ever walked out of, I've probably walked out of 500 plays.
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
The sun rejoicing round the earth, announced Daily the wisdom, power and love of God. The moon awoke, and from her maiden face, Shedding her cloudy locks, looked meekly forth, And with her virgin stars walked in the heavens-- Walked nightly there, conversing as she walked, Of purity, and holiness, and God.
People watch more documentaries too now. These movies that would normally be shown in these little art houses, and unless you walked by the theater, or happened to read that tiny zine that contained the info for it, or went to a film festival, you might miss it.
I remember when I was a dancer and I had to do this performance and I was really nervous about it, and I happened at that moment to go see 'Flashdance.' I mean, it's silly, but I walked out of that movie going 'what a feeling!' I walked out with confidence.
My mother, Carole Hedges, was my world until she walked out of our house when I was 7. Actually, she didn't walk out. Alcohol walked her out.
Arguably, the Venice Film Festival is the second best film festival in the world, after Cannes.
It was a perfectly beautiful night, as fall nights are in Washington. I walked out of the president's Oval Office, and as I walked out, I thought I might never live to see another Saturday night.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
You know, when I'm looking at these '08 yachts that are for sale, I think "I could have just walked in with a briefcase of cash and put it on the table and walked out with a yacht."
The Cannes Film Festival is the biggest, most prestigious film festival in the world. This is where filmmakers are discovered, where futures are made, and the most important films premiered.
I was, not an altar boy, but a reader of the Epistle, and I walked in on a nun and a priest furiously French kissing when I was in seventh grade. I walked in, saw it, and went, "No way," backed out, composed myself, and went back in, and it was still going on. And the experience of seeing that was actually very deep.
I quite like that people tend not to know my name. I remember being at the Cannes film festival for 'All or Nothing.' I looked very different in the film - I had a little greasy bob and no makeup. I went to a dinner after the screening, and everyone completely ignored me. I got a real buzz out of that.
What did I do? I walked into a drugstore to look for some mints, and then I walked out. What was wrong with that? I didn't kill Mr. Nesbitt.
When I met Bono at the Cannes Film festival while I was there for the film 'United 93,' he said to me, 'That's a great film, brother. Thank you for your courage in making it.' I plotzed.
I didn't realize how much the paint was going to affect how I moved and how I walked. And it wasn't something that consciously happened. It was because the first time I'd done it was a Tokyo Dome show, I want to say in 2013-14, and I walked out there, and I was a completely different person.
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