A Quote by Mal Fletcher

In media terms, the camera always lies, providing an edited version of reality. — © Mal Fletcher
In media terms, the camera always lies, providing an edited version of reality.
What I meant when I say that the media are bots, I don't want anybody misunderstand this. I'm watching CNN and one of their infobabes is doing this report on Al Franken questioning [Jeff] Sessions during the confirmation hearings. I'm convinced - and they played an edited version of it. It was edited by somebody to make it look like it was something other than what it was, and I'm convinced this infobabe hasn't the slightest clue.
In terms of so-called fly-on-the-wall documentaries, there's a claim that the camera is a transparent window into a pre-existing reality. What really is happening is that the film crew and the subjects are collaborating to simulate a reality in which they pretend the camera is not present.
There's always going to be that pressure when you're in front of the camera. When you're famous it's just an extreme version of reality and there's a pressure to look a certain way.
The three most disastrous inventions of our time have been the birth control pill, the camera and nuclear weaponry. The first offers sex in terms of sterility, the second reality in terms of fantasy, and the third security in terms of destruction.
Lies 1: There is only the present and nothing to remember. Lies 2: Time is a straight line. Lies 3: The difference between the past and the futures is that one has happened while the other has not. Lies 4: We can only be in one place at a time. Lies 5: Any proposition that contains the word 'finite' (the world, the universe, experience, ourselves...) Lies 6: Reality as something which can be agreed upon. Lies 7: Reality is truth.
Reality has been so politicized such that people truly believe, mostly, that there are two versions of reality: a conservative and a liberal version. In my mind, there's only one version of reality and then those who lie about it. Much as in a court of law.
I love the edited version of it.
I love when I go on set every day, because the camera people teach me camera terms and grip terms - I learn all these new terms from different people on the set and leave feeling all cool about myself when I go out places.
The media lies to us all the time, and we always believe the media.
For me, what was important was to record everything I saw around me, and to do this as methodically as possible. In these circumstances a good photograph is a picture that comes as close as possible to reality. But the camera never manages to record what your eyes see, or what you feel at the moment. The camera always creates a new reality.
Often real life is boring and problematic. I love the edited version of it.
The film [ Wyatt Earp and the Holy Grail] was shot on a KODAK Zi8 camera as well as on multiple camera phones. It was processed using the effects of FINAL CUT X and then edited in FINAL CUT 7.
My manager and fellow YouTuber, Mike Lamond, encouraged me to start a YouTube channel as a way to practice speaking, entertaining, and being more comfortable in front of a camera. In the beginning, I used an $80 dollar flip-camera and edited every episode myself.
When you see an early edited version, you're not sure what it is. The movie is getting on its wobbly legs.
After my marriage she edited everything I wrote. And what is more, she not only edited my works, she edited me.
Every couple has two stories - the edited one to be shared from the couch and the unabridged version best left alone.
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